November 2023, Meet The Memory Person – a collaborative remembrance project

Meet The Memory Person - a collaborative remembrance project: open studio, workshop and conversation (Venue: FLORIDA Lothringer 13 81667 München, Ein Kunstraum der Stadt München)

Artistic concept: Franziska Windolf

Curation: Mareike Schwarz

12 November, Global Munich at ausarten Festival

6 November, Gelingende Kommunikation zwischen Gesellschaft, Politik und Wissenschaft

11-13 October, gd:c annual conference

'All stories at least are not the same': dis:connectivities in global knowledge production

The creation, provision and application of knowledge depends on subjects, geographies, events and wider contexts. ‘All stories at least are not the same’, noted the writer Bernadette Meyer in 1968 in her volume Story, in which various novellas intertwine. Taking stories as diverse and non-hierarchical forms of producing and transferring knowledge, Meyer’s statement could be adapted as follows: knowledge as the totality of one’s abilities moves and is moved — between continents, regions, countries and societal contexts. Educational institutions, publishing houses, companies and state institutions, as well as social groups and individuals, organise and archive knowledge stocks, and they translate, convey and re-contextualise them in (global) transfers. These processes cannot be reduced to a linear narrative of boundless, irrevocable epistemic globalisation of permanently increased interconnectedness and universal availability. Rather, transnational and transcultural knowledge production is articulated precisely in dissonant registers as, for example, through interruption, absence and digression.

Not least due to the Covid-19 pandemic and the realignment of geopolitical blocs, political think tanks, editorials and other opinion leaders have recently postulated increasing ‘deglobalisation’. However, instances of dis:connectivity that emerge through various forms of interruption, absence and detours can also be understood as foundational dynamics of historical and contemporary globalisation. Dis:connectivity means the coexistence of non-connection and connection as, for example, in constellations of local and global knowledge and of traditional/indigenous and futuristic/technological knowledge production. Our perspective on dis:connectivity thus necessarily includes hierarchies, power relations and inherent norms of global knowledge circulation.

The dis:connective conditions of global knowledge production are the starting point of our centre’s second annual conference, which is divided into three sessions — unlocking knowledge, bodies of knowledge and challeging knowledge — with visits to Munich museums and cinema.

Organisers:

Nikolai Brandes and Burcu Dogramaci

7-8 September, Theatre, globalisation and illiberal regimes after 1989

The war in the Ukraine has highlighted the globalising propensities of non-democratic states such as Russia, China and Iran. There is a strong sense that illiberal, global interconnections are being (re)forged. These alternative globalisations are reflected in the dynamics of specific theatre cultures and are rooted in the trans-continental links established during the Cold War.

Patterns developed since the 1970s have carried over into the post-1989 period. Western-guided globalisation has hardly been ‘the only game in town’ in recent decades. The workshop therefore raises the fundamental question of how to approach theatre history and non-Western-centric interconnectedness after 1989.

Practioners and scholars will gather to discuss the relationship between global trajectories of illiberal regimes and their theatre cultures following the Cold War. The workshop engages with a variety of cases from the illiberal spectrum – from one-party states to theocracies and various forms of authoritarianism (competitive or one-person rule). The proceedings will focus on genealogies, commonalities and differences among various global engagements. We explore the role of theatre in the international configuration of illiberalisms in the post-Cold War world.

24-27 July, global dis:connect Summer School 2023: Sea of absence? Globalisation, the Mediterranean and beyond

From 24-27 July, global dis:connect will welcome MA, doctoral students and creative professionals in all stages of their careers for a summer school on the absences produced by globalisation processes, focusing on the Mediterranean, particularly on the aspects of migration, tourism and (post)coloniality, in the past, present and future.

Like globalisation research generally, some of the most famous scholarship on the Mediterranean Sea has focused on the different connections that bind the ‘Middle Sea’ together (Braudel, 1949; Horden & Purcell, 2000). Its connections, however, have also created and obfuscated many absences: of people, of cultural belonging, of institutions, of personal and collective memories, of regions, of (art) objects, in archives, epistemologies, discourses, in stories and representations of and about the Mediterranean, and finally in our scholarship.

The summer school combines subjects such as art history, history, social sciences, media and film studies, theatre studies, literary and cultural studies with artistic approaches. It will allow the participants to present their own projects and will feature several master classes by renowned scholars, as well as art and film presentations.

Please note: the summer school is a closed event. Parallel to the summer school, global dis:connect is however hosting another event on the Mediterranean: an evening lecture by Eva Meyer and Eran Schaerf on the subject of ‘Migratory mindset and Levantine cosmopolis’, taking place at the Centre on 26 July (18.30). This event is open to everyone, for more information click here.

26 July, Reading and discussion with philosopher Eva Meyer and artist Eran Schaerf: Migratory mindset and Levantine cosmopolis

Global dis:connect is honoured to host a reading and discussion with philosopher Eva Meyer and artist Eran Schaerf on the social model of Levantinism, its ambivalences and what it can offer in a globalised world.

The Levantines did not make it into postcolonial discourse, perhaps because they lack the ‘definitional security’ (Adorno) that the coloniser and the colonised seem to possess. For the capitalist market of identities, national territorialism and the East-West ideological partition, the Levantines and their definitional insecurity represent a danger. Going in between, the Levantines indicate an escape route, not from one ideology to another, but away from ideological mindsets altogether. They perform a migratory mindset that makes a difference instead of representing one. We opt to engage with the polyphonic web of Levantinisation instead of letting ourselves be torn apart by globalisation.

The reading takes place in parallel with the global dis:connect summer school entitled Sea of absence? Globalisation, the Mediterranean and beyond.

10-11 July, Ecology, aesthetics and everyday cultures of modernity

As the Anthropocene charges ahead with its bewildering array of challenges, and numerous debates on ecology and the environment gather steam, it becomes impossible to think of our contemporary existence without paying attention to the presence and legacies of the natural world. This environmental heritage is not only configured ideologically and politically by human beings, but also habitually and aesthetically. Here, the concept of aesthetics operates much more capaciously and ubiquitously than only conveying ideas of taste or judgment, additionally signalling the sensorial, the embodied and the lived. Thinkers working across the disciplines of new materialism, anthropology, sociology, art history, cultural studies, geohumanities, craft studies and environmental humanities have been drawing attention to the dynamic intermingling of natural and cultural spheres, often through the lens of the aesthetic everyday.

This workshop brings together scholars from various areas of interest to deliberate the linkages between ecology, everydayness and aesthetics. Taking the modern period from the 19th century to the present as its broad temporal context, the event sheds a critical and creative light on the manifold ways in which the modern world experiments, challenges and accommodates socio-cultural expressions of ecological aesthetics.

8 July, URBAN BODIES PROJECT — MUNICH