In
Past events
This conference marks the beginning of global dis:connect’s second funding phase. It explores the promises and challenges of the concept of dis:connectivity from an interdisciplinary perspective. Serving as a bridge between the past four years of research—during which we sought to unpack and define the concept—and the years ahead, the event will focus on advancing its empirical applicability across both spatial and temporal dimensions. Bringing together current and former fellows, gd:c staff, and partner institutions, the conference fosters dialogue and knowledge exchange across funding phases.
You can find the programme HERE.
Continue Reading
20-21 October 2025, Beyond binaries. Rethinking dis:connectivity and globalisation
This conference marks the beginning of global dis:connect’s second funding phase. It explores the promises and challenges of the concept of dis:connectivity from an interdisciplinary perspective. Serving as a bridge between the past four years of research—during which we sought to unpack and define the concept—and the years ahead, the event will focus on advancing its empirical applicability across both spatial and temporal dimensions. Bringing together current and former fellows, gd:c staff, and partner institutions, the conference fosters dialogue and knowledge exchange across funding phases.
You can find the programme HERE.
Continue Reading
29 July 2025

Cultural institutions around the world are facing tremendous challenges. Museums, theatres, orchestras, gallery spaces are under pressure to adapt to ever-changing policy directives and wider public discourses. Who do they serve? Do they justify their funding? Do they even receive public funding or are they dependent on private philanthropy and sponsorship? Are they subject to direct political influence or do they operate “at arms’ length”? Are cultural institutions required to respond to touristic-heritage demands rather than artistic imperatives?
The Forum is a new format with which g:dc will explore cultural infrastructure in regions undergoing turbulent transition. The first Forum will be devoted to post-Assad Syria. Once the most important cultural centre in the region, the years of war and mass emigration have left cultural landscapes in disarray. The workshop gathers together artists and curators from Syria and neighbouring countries to rethink how cultural infrastructures might be reconceived going forward. The challenges facing cultural infrastructures globally pose themselves in Syria in extremis, as much material infrastructure has been destroyed and the former institutions of a largely state-controlled arts scene no longer function. The workshop focuses on the following questions:
What remains of existing cultural infrastructure—both material and immaterial—and what new forms can still be imagined and built?
What possibilities and promises can emerge from these shifting landscapes? Which networks can be activated or reconfigured, and how might the region's cultural life position itself within broader regional and global artistic ecologies—particularly in relation to questions of alliances, dependencies, and hierarchies in the arts?
The conference intends to examine the relation between nation-building, scholarly research, and class from a global historical perspective. It aims for exploring the possibilities of how to write the history of ‘imagined communities’ (Anderson 1983) or ‘invention of traditions’ (Hobsbawm and Ranger 1983) after the global turn. Moreover, it aims for linking these concepts to those of ‘the denial of coevalness’ (Fabian 1983) and ‘futures past’ (Koselleck 1983), The conference will thus discuss the pathways, power struggles, and (re-)negotiations of nation-building and similar forms of community-fashioning in different world regions.
The workshop explores the role of language, broadly conceived, in globalising processes of the long twentieth century. Although they are often unacknowledged or even invisible, issues of language speak to central tensions in global history. They are tied to overarching power structures – colonial, national, or economic – and, at the same time, intensely personal in their relation to identity-building and individual expression. Since the late nineteenth century and, increasingly, during the 1920s and beyond, national languages were standardised, vernaculars came under threat, world languages were hotly debated, and experiments with artificial languages emerged in very diverse contexts. Studies that consider the varieties of human expression and the homogenising influences they face are well placed to advance a global history approach that takes global forces, social fabrics, and individual agency seriously.
What is more, language and its relation to the ‘global’ is also particularly topical at this present moment. Conceptions of language and globalisation are changing rapidly in the age of AI, and, for the first time, we can imagine a world without language barriers. Yet, while language barriers may seem finally surmountable, new rifts are emerging. At a time when English has achieved an unprecedented dominance in popular culture, trade, teaching, and publishing, questions of standardisation and linguistic diversity are increasingly being discussed. When it comes to the practice of global history, a passionate debate has erupted in relation to the dominance of English as a vehicle of (uneven) communication.
Research on global languages has consequently developed into a thriving but not yet consolidated subfield of global history. This workshop takes these recent individual explorations as its point of departure. Its goal is to move language history to the centre of global history research and to initiate a larger interdisciplinary conversation about language that speaks to the broad themes of standardisation and diversity, elitism and accessibility, simplification and complexity and to the tension between the social and the global at large.
Here you can find the 
On Monday, 30 June 2025, Corey Ross (Basel) will give a talk in the Lecture Series Global History. He will speak on “The Political Economy of Urban Waterworks in the Colonial World”.
The talk will take place at M 209 (LMU main building, Geschwister-Scholl-Platz 1) and will start at 4.15 pm. All are welcome!
The Lecture Series Global History is jointly organised by the
Photographs preserve memories, form narratives, convey ideologies and shape the perception of history. Archives contain organised knowledge that provides orientation but also legitimises and supports power. The archives of the present are closely linked to future knowledge by collecting what can be known about the present in the future. But what happens when certain images and perspectives disappear from the archive, have to be found first or never find their way in? How were and are photographs and other objects used to describe migration, (cultural) identity and social developments or to render them visible in the first place? What counter-perspectives are necessary to tell stories of migration from the perspective of migrants themselves?
This panel brings together experts from various disciplines, fields of research and curatorial practice to discuss the politics of images, archiving and the handling of marginalised photographic collections. The focus will be on questions of institutionalisation, standardisation and instrumentalization, with a particular focus on the migration histories of West and East Germany, and the afterlives of photographic images and collections. At the same time, we will talk about the responsibility archives bear in a democratic society and discuss the challenges of long-term archiving, physical and digital accessibility and new approaches to mediation.
The workshop is a collaboration between the Käte Hamburger Research Centre global dis:connect and the Central Institute for Art History in Munich (ZI).
Programme:
18:30 - 20:00
Welcome and introduction
Burcu Dogramaci (gd:c, Munich) & Franziska Lampe (ZI, Munich)
Speakers
Isabel Enzenbach (De-Zentralbild / Leibniz-Zentrum für Zeithistorische Forschung, Potsdam): L/Ost? Private Bilder ostdeutscher Migrationserfahrungen
Manuel Gogos (Freier Kurator & Autor, Bonn): Doppelbelichtung: Fremdbilder, Selbstbilder
Vida Bakondy (Österreichische Akademie der Wissenschaften, Wien): Die anderen Bilder sehen. Jovan Ritopečkis Fotoarchiv der Migration
Joint discussion
Location: Käte Hamburger Research Centre global dis:connect
Date: Thursday, 26 June 2025
Time: 18:30
Concept: Burcu Dogramaci (global dis:connect) and Franziska Lampe (Zentralinstitut für Kunstgeschichte)
Please register
In the 1930s and 1940s, London and New York were metropolises of artistic exile and places of refuge from National Socialist persecution. Exiles founded galleries, publishing houses, magazines, photo shops and agencies in the metropolises, cooperated with local artists, organised exhibitions and formed networks. In their works, they engaged with their metropolises and reflected on their personal experiences of emigration.
Art and photo historians Burcu Dogramaci and Helene Roth explored the diverse work of emigrants from the fields of art, photography and architecture in their engagement with their city of exile in their books, which they will present on 25 June: 'Exil London. Metropolis, Modernity and Artistic Emigration' and 'Urban Eyes. German-speaking photographers in exile in New York in the 1930s and 1940s' (both published by Wallstein Verlag). They will also talk about the ERC research project 'Relocating Modernism: Global Metropolises, Modern Art and Exile' (METROMOD, 2017-2023, LMU Munich), which researched six metropolises as places of refuge for exiled modernist artists.
The book launch will continue with a reading of poems and letters from exiles in New York and London. We will conclude the evening with snacks, drinks and music.
Date: 25 June 2025, 7pm
Venue: Köşk, Schillerstraße 38
Organiser: Burcu Dogramaci and Helene Roth
Book launch and reading in German. Entry is free. Registration is not required.
A workshop with Lisa André, Abdé Batchati, Nikolai Brandes, Nancy Demerdash, Kuukuwa Manful, Nzinga Mboup, Mark R. O. Olweny, Erik Sigge, Elio Trusiani, and Ola Uduku.
Recent years have seen calls for the decolonisation of architectural education in architecture schools around the world. Students and faculty alike have argued for a more critical approach to the lingering effects of colonialism by reflecting on the history, material and ecological resources, labour conditions and social contexts of architecture as a practice and discipline. This is illustrated by a growing number of conferences, networks, research projects and political activities on the subject.
The concerns expressed in these discussions parallel the situation in African architecture schools in the 1950s-1980s. In their programmes, curricula, student research projects and internal discussions, the schools that were founded in the course of political decolonisation (e.g. the KNUST in Kumasi, the Ethio-Swedish Institute of Building Technology in Addis Ababa, the École Africaine et Mauricienne de l`Architecture et de l`Urbanisme in Lomé, and the Faculdade de Arquitectura e Planeamento Físico in Maputo) often strived for a ‘decolonial’ perspective on architecture and urban planning, sought to promote economic independence and attempted to achieve cultural diversity in the design studio.
In many countries, these schools had a decisive influence on the design of the built environment and the development of postcolonial socialisation. However, in contrast to the history of architecture schools like the Bauhaus, the Architectural Association in London and the Venice School of Architecture, the history of African schools of architecture has so far been insufficiently researched.
The aim of this workshop is to explore the little-known history of African schools of architecture and their political function during decolonisation. In addition to exploring their historical influence on post-colonial nation building in the region, the discussions will address possible historical lessons for a multicultural and anti-discriminatory approach in architectural education today.
Dates: 22-23 May, 2025
Venue: Pavillon 333, Türkenstraße 15, 80333 Munich.
Organiser: Nikolai Brandes
Please register
Bioclimatic design is a key tool to achieve more sustainable architecture. It can help reduce CO2 emissions in construction, preserve local cultural techniques, and improve how buildings are adapted to their users. These issues are particularly important in Africa — the continent with the world's highest urbanisation rates and a rapidly expanding construction sector.
Nzinga Mboup, co-owner of the architecture firm Worofila and curator at the Canadian Centre for Architecture, will discuss the past and present of bioclimatic design in Senegal. She starts appropriately with Dakar's first school of architecture, which operated from 1973 to 1991. This school, which was intended to increase the autonomy of architectural education in West Africa, advanced pioneering technical and pedagogical approaches in the study of bioclimatic design and served as a global model. In her lecture, Mboup examines the experiences of this school in relation to today's challenges in construction and her own architectural practice.
Nzinga Biegueng Mboup studied architecture in Pretoria and London. In 2019, she founded her own architecture firm in Dakar together with Nicolas Rondet. She has worked for Adjaye Associates and collaborated with Kéré Architecture. In addition, she has led several research projects on Dakar's urban history.
Date: 22 May, 2025, 6pm
Venue: Pavillon 333, Türkenstraße 15, 80333 Munich.
Organisers: Nikolai Brandes (LMU), Andres Lepik (TUM)
Please register