De facto border. The division of Cyprus in contemporary photography by Heinrich Völkel
samira yildirim This essay deals with the question of how artists show and document the topography a...
samira yildirim This essay deals with the question of how artists show and document the topography a...
shaul marmari Neighbours[1] Sirens went off in Eilat on 31 October 2023. Soon after, aerial targets ...
tal hafner In this essay, I look at expressions of historical erasure in the form of environm...
rim harmessi Was not the earth of God spacious enough for you to emigrate therein? [1] ...
florian bachmeier In my work as a documentary photographer, particularly in my reports on ref...
jonathan jonsson This article shows how the Mediterranean Sea became a symbol for involuntary...
sabrina moura A German translation of this post is available on the ZI Spotlight blog publish...
peter seeland In 2015, artist Justin Brice Guariglia participated in NASA’s Operation I...
burcu dogramaci I acquired the book French Painting And The Nineteenth Century, publis...
This post is a continuation of the last, where we began introducing the research assistants who grea...
[Editor's note: Our Käte Hamburger Research Centre global dis:connect began 3 years ago, and we've ...
Shannon Jackson (Berkeley), Delivery systems: ecological infrastructures across the arts &nbs...
matthias leanza How do empires end? What influence do the ties and divides that shape imperia...
christopher balme ‘While, biologically speaking, the idea of individual human races with di...
doğukan akbaş & peter seeland Munich, 11-13 October 2023 The writer Bernadette Mayer addresses...
katarzyna puzon When were at global dis:connect, and what did you work on while here? I was b...
siddharth pandey Ask anyone in India to quickly draw a ‘scenery’, and most people would i...
gabriele klein Cultural globalisation since the 1990s would not have been possible without th...