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19 November, Plastic Fantastic at Werkstatt Kino

On November 19, we open our film series “Dis:connection: Cinema and Globalization” with the impressive documentary Plastic Fantastic by Isa Willinger at Werkstattkino Munich. Plastic is everywhere — in rivers and oceans, in the air, the soil, and even in our bodies. There are 500 times more plastic particles in the oceans than stars in our galaxy. Despite this growing crisis, the giants of the plastic industry continue to expand production, even though recycling hardly works. Plastic Fantastic follows a diverse group of protagonists — including representatives of the plastic industry, scientists, and activists — to explore the often-overlooked sides of the global plastic crisis. Environmental lawyer Steven Feit reveals how plastics have become a key growth strategy for the oil industry in the 21st century. In Louisiana, retired teacher Sharon Lavigne fights tirelessly against pollution and environmental racism in her hometown, home to one of the world’s largest plastic production sites. Oceanographer Sarah Jeanne Royer exposes the devastating effects of microplastics along Hawaii’s coasts, while Kenyan photojournalist James Wakibia uses the power of images to raise awareness about single-use plastics in his country. In Hamburg, chemist and inventor Michael Braungart envisions a world without plastic waste and demonstrates what a truly circular economy could look like. After the screening, there will be an artist talk with filmmaker Isa Willinger and our fellow Elizabeth DeLoughrey. Language: English and German with English subtitles Date: November 19, 2025, 17:00 Venue: Werkstattkino, Fraunhoferstraße 9, 80469 Munich We have a quota of 14 tickets reserved for fellows and staff members. Once this quota is used up, additional tickets can be purchased at the cinema box office for 6 euros. Please register here. Continue Reading

New interviews out now!

🎥 New interviews out now! Former fellows of global dis:connect share insights into their research, art, and personal journeys — exploring global dis:connections across disciplines and places. Watch now on our YouTube channel!

Claudia Cendales Paredes
Claudia, an art historian and fellow at the Käte Hamburger Research Centre global dis:connect, discusses her career and her current project at gd:c, which focuses on case studies of several European — primarily German-speaking — artists and intellectuals who arrived in Bogotá, Colombia, in the first half of the 20th century. Her project examines their work and experiences, using a decolonial approach to analyse the relationship between places seen as ‘detours’ and dominant historiographical narratives.
👉 Watch the interview

Ulrike Lindner

Professor of Modern History at the University of Cologne and fellow at the Käte Hamburger Research Centre global dis:connect, Ulrike discusses her career and her current project at gd:c, which focuses on colonial labour migration in Africa at the end of the 19th century.
👉 Watch the interview

Aglaya Glebova

Aglaya is an Associate Professor in the History of Art Department at UC Berkeley and a fellow at the Käte Hamburger Research Centre global dis:connect. In this talk, she discusses her career and her research project on imaginaries and representations of energy and exhaustion in the art and architecture of the Soviet Union and the Eastern Bloc.
👉 Watch the interview

Işıl Eğrikavu
Işıl, an artist and fellow at the Käte Hamburger Research Centre global dis:connect, discusses her career and her current research project on rest—exploring its connection to ecological change and the dynamics of academia.
👉 Watch the interview 

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Voices from global dis:connect: Four New Fellow Interviews

We’re excited to announce the release of four new interview videos now available on our YouTube channel. In these conversations, former fellows at the Käte Hamburger Research Centre global dis:connect share insights into their research, artistic projects, and personal journeys. Each interview offers a unique perspective on global dis:connections across disciplines and geographies.

Frances Steel
Professor of History at the University of Otago, Frances Steel discusses her project on the history of refrigeration and its role in shaping the colonial Pacific’s food trade. Her research uncovers how frozen meat and dairy exports helped transform New Zealand — and to a lesser extent, Australia — into the “farm of the empire.”
👉 Watch the interview

Nadia von Maltzahn
Principal investigator of the ERC project Lebanon’s Art World at Home and Abroad (LAWHA), based at the Orient-Institut Beirut, Nadia explores the circulation of artists and artworks from Lebanon since 1943. In the interview, she reflects on her academic path and her book-in-progress at global dis:connect.
👉 Watch the interview

Yolanda Gutiérrez
Choreographer, video artist, curator, and producer Yolanda Gutiérrez shares her creative journey and the evolution of her Urban Bodies Project Munich. Her work explores the intersections of body, space, and migration through collaborative performance.
👉 Watch the interview

Shane Boyle
Senior Lecturer at Queen Mary University of London, Shane Boyle introduces his research on artistic responses to global logistics. At global dis:connect, he investigates how artists use tactics like blockade and sabotage to confront the infrastructures of global trade and extractivism.
👉 Watch the interview 

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Jie-Hyun Lim takes up fellowship

In March Jie-Hyun Lim commenced his term as a fellow at global dis:connect. Welcome. Jie-Hyun Lim holds the CIPSH Chair of Global Easts and is a founding director of the Critical Global Studies Institute at Sogang University. At gd:c Jie-Hyun will work on multilingual versions of victimhood nationalism as a conceptual tool to illustrate competing memories of victimhood in the postwar Vergangenheitsbewältigung across Europe and East Asia. Continue Reading

Associated fellow Kevin Ostoyich Celebrates Successful Film Premiere in Cuxhaven

Our associated fellow Kevin Ostoyich is celebrating a major achievement: The documentary film Gary’s Letter, which he helped inspire, recently premiered in Cuxhaven and has already been selected as a semi-finalist at the New York Indie Shorts Awards. Even more exciting, the film has won the L’Eclisse Award at the Blow-Up International Arthouse Film Festival in Chicago, USA. 🎉 The film tells the moving story of Gary Sternberg, who was born into a Jewish family in Nazi Germany, fled to Shanghai in 1940, and later built a new life in the United States. Decades later, he discovers stumbling stones (Stolpersteine) bearing his parents’ names in front of his childhood home in Cuxhaven. This unexpected discovery leads him to reach out to the house’s current residents, rekindling a connection to the country he left behind so many years ago. The film originated from a conversation between Kevin Ostoyich and the director, who has spent years exploring her own family’s history. Gary’s Letter is a powerful testament to memory, reconciliation, and the forging of new connections across generations. Additionally, Kevin Ostoyich has just published a new article about Gary with the Spungen Foundation. You can read it here: Gary Sternberg | Florence and Laurence Spungen Family Foundation. 🎥 Watch the trailer here: vimeo.com/950989014 We warmly congratulate Kevin Ostoyich on this success! Continue Reading

Artist Talk: Roma-non-Roma: in:visibilities and dis:connections

Artist Talk: Roma-non-Roma: in:visibilities and dis:connections Małgorzata Mirga-Tas (artist in residence, gd:c) in conversation with Sophie Eisenried (art cooperation, gd:c), Anna Fenia Schneider (curator, Haus der Kunst) and Wojciech Szymański (fellow, gd:c) With an introduction by Burcu Dogramaci (director, gd:c)   The artist Małgorzata Mirga-Tas and the curator Wojciech Szymański will present some selected works and projects, including the project History of Art/History of Violence: From the Belle Èpoque to the Genocide, which they are pursuing at the Käte Hamburger Research Centre global dis:connect. Afterwards, Anna Fenia Schneider and Sophie Eisenried will talk with Małgorzata Mirga-Tas and Wojciech Szymański. The panel is dedicated to the lack of knowledge about the lives, networks and spaces of Sinti:zze and Roma:nja in Munich and what role art and research can play in making this gap(s) visible.   Location: Käte Hamburger Research Centre global dis:connect, Library, Maria-Theresia-Straße 21, 81675 Munich Time: Monday, December 9, 2024, 7:00 p.m., registration by December 6, 2024 HERE.   Speakers:   Małgorzata Mirga-Tas Małgorzata Mirga-Tas (born 1978 in Zakopane, Poland) completed her art studies at the Academy of Fine Arts in Krakow. The artist and activist lives in a Roma settlement in Czarna Góra in the Polish region of Spisz and mainly creates sculptural works from cardboard and textile collages. At the Venice Biennale 2022, she exhibited her work Re-enchanting the World in the Polish Pavilion. She is currently an artist in residence at the Käte Hamburger Kolleg global dis:connect.   Exhibitions (selection): 2021: 11th Berlin Biennale 2022: Re-enchanting the world, 59th Venice Biennale 2022: One day we shall celebrate again, group show, documenta 15, Fridericianum, Kassel 2023: 14th Gwangju Biennale 2023: I have a dream, Goteborgs Konsthall, Sweden 2023: Rooms with a View. Aby Warburg, Florence and the Laboratory of Images, group show, Uffizi, Florence 2023: Sivdem Amenge. Ich nähte für uns. I sewed for us, Brucke Museum, Berlin 2023/2024: Remembrance and Resignification, Centro Andaluz de Arte Contemporáneo, Seville 2024/2025: Małgorzata Mirga-Tas, Tate St Ives 2024/2025: This is not the end of the road, Bonnefanten, Maastricht forthcoming solos: 2025: Kunsthaus Bregenz 2025: National Portrait Gallery, London   Wojciech Szymański  Wojciech Szymański  is an art critic and historian, independent curator, author and editor of books and catalogues. He has curated several group and solo exhibitions of contemporary Romani artists, including Kali Berga at Galerie Kai Dikhas in Berlin (2017) and The Right to Look (with Delaine Le Bas) at Grey House Gallery in Krakow (2018). He has recently curated several exhibitions by Małgorzata Mirga-Tas: Out of Egypt (2021) at the Arsenal Gallery in Białystok, Travelling Images (2022) at the International Cultural Center in Krakow (together with Natalia Żak), and Re-enchanting the World (together with Joanna Warsza) at the Polish Pavilion at the 59th International Art Exhibition - La Biennale di Venezia (2022). He is a lecturer at the Institute of Art History at the University of Warsaw. He is currently a fellow at the Käte Hamburger Kolleg global dis:connect.   Anna Fenia Schneider Anna Fenia Schneider is a curator, writer, and cultural organiser. With a background in postcolonial thought, her curatorial work pays particular attention to global sociocultural histories and how these inform the making, form, and meaning of artistic expression. She has been a curator at Haus der Kunst München since 2012 and is invested in making the museum a meaningful and lively space for critical thinking, agency, and care. She has recently collaborated with artists such as Michael Armitage, Theaster Gates, Meredith Monk, and Hamid Zénati, to name a few. Anna Schneider graduated with a master’s degree in Exhibition and Museum Studies from the San Francisco Art Institute as a Fulbright Scholar (2009) and holds a diploma in Kulturarbeit from the Fachhochschule in Potsdam (2007) and in Graphic Design from the Städtische Berufsfachschule für Mode- und Kommunikationsgrafik (2004) in Munich.   Sophie Eisenried  Sophie Eisenried is a curator, art scholar, and author. She works as a research associate for art cooperation and communication at the Käte Hamburger Kolleg global dis:connect at the LMU Munich. She is interested in intersectional art theories and institutional critique(s), the women's movement, global protest and strike histories and the associated artistic-activist practices, as well as theories of space appropriation. In her dissertation, she is working on autonomous, feminist counter/publics since the 1970s.   Burcu Dogramaci Burcu Dogramaci is a professor of art history at the LMU Munich and a director at the Käte Hamburger Kolleg global dis:connect. She conducts research on exile, migration and flight, photography, textile arts, cities and urban art histories, gender and knowledge, and the history of art.   Continue Reading

Roma in Munich: Making gaps in art history visible

Małgorzata Mirga-Tas, Out of Egypt from Out of Egypt series (2020–2021), courtesy of the artist. | © Małgorzata Mirga-Tas

Małgorzata Mirga-Tas, Out of Egypt from Out of Egypt series (2020–2021), courtesy of the artist. | © Małgorzata Mirga-Tas

On Monday, December 9th, an artist talk with our artist fellow Małgorzata Mirga-Tas and her curator Wojciech Szymański will take place at global dis:connect.
In this regard, Małgorzata and our Director Burcu Dogramaci talked about the collaboration with Małgorzata and her current project at Käte Hamburger Research Centre global dis:connect. You can finde the interview here.
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28-29 November, Archived ruptures – Ruptured archives. Collaboration, intervention, resistance

To explore the role of ruptures in archives, the workshop highlights processes of radical change and dis:continuity in archives and private collections. Understanding ruptures as ‘a moment at which value emerges through a break’ (Holbraad, Kapferer and Sauma 2019), the title Archived ruptures – Ruptured archives indicates not only the sensitive nature of collective and private archives, their histories, objects, sites and infrastructures of memory and knowledge production of conflictual pasts, but also the sensitive engagement and scholarship (Stoller 2009) in, with and about archives.

Artists, activists and scholars from various disciplines will present their work with archived objects, materials (e.g. sound files, documents, films, photographs, textiles, etc.), institutions and museums to show a variety of ruptures and their impacts on alternative histories, memory production, community building and resistance. With hands-on presentations, theoretical and object-based discussions, the workshop as well as the open exhibition lab are productive spaces to explore questions such as ‘how do ruptures in/with archives look?’, ‘can ruptures become a turning point of memory, resistance and empowerment for those whose voices have been silenced in such archives?’, ‘what does sensitive scholarship and practice-based research in archives mean?’, ‘can collaboration with as well as intervention and resistance in archival collections support alternative understandings of conflicted pasts and memories?’, ‘to what extent are archive ruptures related to socio-cultural changes or changing relationships between societies (e.g. de/colonisation, conflicts or crises)?’

  Concept and organisation: Cathrine Bublatzky   Venues: 28 November: Käte Hamburger Research Centre global dis:connect, Museum 5 Kontinente 29 November: Gallery Karin Sachs, Department of Social and Cultural Anthropology (LMU Munich)   Please register here by 20 November. The workshop programme can be downloaded here. For the flyer of the open exhibition lab, please click here.   Continue Reading