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The people who make global dis:connect happen

[Editor's note: Our Käte Hamburger Research Centre global dis:connect began 3 years ago, and we've come a long way since then. Like the bedrock on which great buildings rest or the air that keeps a jumbo jet in flight, one of the principal forces behind our success is invisible: the people who perform the countless tasks required to keep a major international research institution afloat. Perhaps least visible are the research assistants who run the events, fetch the literature, support the research and keep the experienced researchers on their toes. Indeed, their invisibility is a sign of how well they do their job. So in a few coming posts, we'll be profiling some of the people behind our public-facing work, and we're starting with the invaluable research assistants — nine promising young scholars with bright futures and big ideas. We provided them with a list of questions and asked them to each answer three to give you a better idea of who we are and how we do what we do.)

Clemens

What aspects of the research at global dis:connect pique your curiosity and how does it overlap with your research?

I am interested in exploring different historical perceptions of globality. Therefore, it is especially inspiring to see how the research projects conducted at gd:c interpret the ‘gap’ between dis-connection and connectivity differently, each providing a deeper understanding of how processes of interaction work, not only on a global scale.

  What tasks do you handle at global dis:connect, and what do you enjoy the most? As a student assistant, you get exposed to a variety of tasks. I particularly enjoy assisting with research and conferences, which are a great opportunity to welcome people from around the world to gd:c.   What do you define as home and why? Anywhere with enough books (they don’t even have to be great ones), coffee and good company to spend the day. I have always been fascinated by stories of all kinds.   Bonus question: what do you research, and what attracts you to the topic? I’ve covered various periods, spaces and topics during my studies at LMU. I am currently researching scientific endeavours in the Arctic and Antarctic during the 19th century as part of my master's degree. What is fascinating about the polar regions is that while being imagined as most remote and uninhabitable spaces, they are at the same time (literally) central to the earth and our modern understanding of it as a global system, rendering them highly dis:connective.

Daniel

What do you research, and what attracts you to the topic? I am researching the connection between art and outer space. The manifold intentions, types of communication, projects and the very literal dis:connectivity that this topic have to offer are exciting.   Would you like to have photographic memory and why? Absolutely not! It would certainly be beneficial to hold trivia and lovely memories in your mind forever. However, I also imagine that abstract thinking can be neglected as a result and that certain memories can often take an emotional toll on you.   Who is your favourite character from a novel or film and why? The future king of the pirates — Monkey D. Luffy from the anime series One Piece. Some anime are masterful cultural treasures with fantastic stories and rich characters. The series is older than I am but not yet finished, so Luffy has not only accompanied me for a lifetime but has always put a smile on my face with his cheerfulness and steadfastness throughout his journey. https://youtu.be/rvoUeOgsh3I

Felix

What tasks do you handle at global dis:connect, and what do you enjoy the most?

Soon after I started working at gd:c, I developed a video trailer with Christian Steinau to convey dis:connectivity in multimedia and set up the gd:c YouTube channel. I now responsible produce our Fellows Close Up series for YouTube support the workshops and events. My favourite part is meeting such a wide variety of people from all over the globe with very different backgrounds and all the new perspectives I gain through getting to know them and the inspiring conversations I have with them.

  What do you define as home and why?

Multiple places can make me feel ‘at home’, meaning cared for, free, safe, peaceful and happy. Home can be every beautiful mountain ridge, lakeside and beach where I can create beautiful memories with someone I love. Home is not a physical place but a mental state. Home is where the people live that are family to me.

  What skill would you like to learn and why? I would like to be able to read minds, even though I definitely don´t want to know most of other people’s thoughts. Still, I´d like to know and understand, what is going on in their minds. Also, as a writer of fiction, I see people in my daily life sometimes, and I think about what their story could be – wouldn’t it be interesting to know if stories I imagine come close to reality?  

Peter

What do you research, and what attracts you to the topic? I have a keen interest in global history, particularly in global art history. My research thus far has focused on significant global exhibition platforms such as the documenta in Kassel and the Venice Biennale. I find that art serves as a vital medium for dealing with and expressing current, future and past processes of globalisation through imagination. Exploring questions about the effects, constitutions and methodologies of globalisation as well as art’s role in it, intrigues me deeply because it links my personal interests with important contemporary issues.   Who is your favourite character from a novel or film and why? It's Ulysses because he has accompanied me since my childhood. His superpower is not divine strength or invulnerability, but his cunning and smartness, which make him an amiable hero.   What skill would you like to learn and why? It would be wonderful to speak every language in the world. Imagine the ease of understanding different cultures, making friends and feeling at home wherever you go!      

Sophia

What do you research and what attracts you to the topic? I'm researching theatre theories, and I really like them because they try to theorise something as complex as a theatre situation and performance. Theatre is also such a lively subject, but I love reading about it and thinking about all the possibilities and ideas that are possible with it.   What aspects of the research at global dis:connect pique your curiosity and how does it overlap with your research? Theatre is also a global phenomenon, and theories about theatre, especially outside the European context, are very interesting and sometimes not really well researched. I really enjoyed Nic Leonhardt's and Anna Heller’s Workshop Stages of Performing in Pahlavi Iran (1925-1979), learning so much about Iranian theatre.   Would you like to have a photographic memory and why? No, I don't want to have a photographic memory, because forgetting some things, but also keeping good memories, is a natural part of life. I would also like to enjoy some plays repeatedly. So I'd like to be able to enjoy them each time without knowing exactly what changed from one viewing to the next. Continue Reading

Jie-Hyun Lim takes up fellowship

In March Jie-Hyun Lim commenced his term as a fellow at global dis:connect. Welcome. Jie-Hyun Lim holds the CIPSH Chair of Global Easts and is a founding director of the Critical Global Studies Institute at Sogang University. At gd:c Jie-Hyun will work on multilingual versions of victimhood nationalism as a conceptual tool to illustrate competing memories of victimhood in the postwar Vergangenheitsbewältigung across Europe and East Asia. Continue Reading

Alumna but not forgotten: an interview with Katarzyna Puzon

katarzyna puzon
 

When were at global dis:connect, and what did you work on while here?

Image: Iveta Rysava/PolasBerlin

I was based at gd:c from July 2022 to June 2023, and my project was – and still is – concerned with scientific sound archives and how to deal with their legacy and ways of producing knowledge. Its focus and scope strongly resonate with my long-standing interest in temporality and the interplay of heritage, science and art, including in museums, exhibition spaces, urban sites and broader collaborative endeavours. The project is deeply rooted in my anthropological thinking, but it crosses disciplinary boundaries, drawing on critical heritage studies, sound studies, history of science and STS approaches. And it has a practical bent.

Where do you work now and are you still dealing with dis:connectivity?

After my fellowship, I returned to Berlin. One of the projects I was involved in last autumn concerned communicating science through sound and exhibiting (spoken) language. This was in the framework of the Nach der Natur (After Nature) exhibition. I was invited to comment on it and write about its media section, together with a colleague who is a musicologist and with whom I have been in dialogue for years. In this particular case, dis:connectivity was rather absent (an intriguing figure of speech). However, I have always worked on paradoxes and contradictions, as many anthropologists do, which seems inevitable when one needs to engage intensively with other people while doing ethnographic fieldwork in a ‘foreign’ context. In many respects, dis:connectivity fits into the paradoxical paradigm that I develop in my work. Analytically speaking, I find it more productive to use this tool in my research on scientific sound archives than in, for example, my book on Beirut.

What text – whether a book or article – have you read recently that particularly impressed you?

I can’t recall any text that has impressed me recently. Though I have been rereading Michail Bachtin’s The Dialogic Imagination and rethinking his ideas of chronotope and polyphony.

Which song could be the soundtrack for your time at gdc?

It is hard to pick just one piece, but it could be Thunder Continues in the Aftermath by Laurie Anderson & Kronos Quartet. https://youtu.be/38o6rozmYbI

Given the choice of anyone dead or alive, or even a fictional character, whom would you want as a dinner guest?

I would love to have dinner with Ursula K. Le Guin, a writer who passed away in 2018. Her evocative thought experiments deftly transcend conventions and genres (even if she is commonly classified as a speculative fiction or science fiction writer), while engaging with social, political and environmental issues. We would most likely talk about ‘what if’, temporality and technology, and reflect on how ‘the word for world is forest’ (inspired by the title of one of her books). If gd:c could fulfill my request and arrange a dinner with her for me, that would be a nice treat. A séance might do the trick. Continue Reading

Andreas Greiner takes up fellowship

In November Andreas Greiner commenced his term as a associated fellow at global dis:connect. Welcome. Andreas Greiner is a fellow at the German Historical Institute Washington. He specialises in infrastructure networks and their spatiality and materiality in the 19th and 20th centuries. At gd:c Andreas is studying intercontinental civil air routes between 1919 and 1947. The project examines the codification of aerospace as well as the diplomatic and economic factors driving intercontinental airway extension. Continue Reading

Yvonne Kleinmann joins global dis:connect

A warm welcome to our new fellow Yvonne Kleinmann who joins global dis:connect in early October. Yvonne Kleinmann is a professor of Eastern European history and director of the Aleksander Brückner Center for Polish Studies at Halle University Her project at gd:c, Communicating Constitutions: A Cultural and Entangled History of Poland’s Basic Orders, deals with Polish constitutional history from the 14th century to the present from the angle of cultural history and (transnational) entanglement.   Continue Reading

Welcome, Matthias Leanza!

In early October, Matthias Leanza joins global dis:connect as a new fellow. Welcome to Munich, Matthias! Matthias Leanza is a historical sociologist specialising in empires, colonialism and nation-state formation and is a senior lecturer at the University of Basel. At global dis:connect Matthias will complete his current book project on the legacy of German colonialism. Drawing on a wide range of sources from European and African archives, the study shows how and why the German overseas empire helped consolidate the nascent German nation-state. Germany soon lost its colonies, but their effects on the country persisted, leaving a complex legacy. Continue Reading

Valeska Huber takes up fellowship

In October Valeska Huber commenced her term as a fellow at global dis:connect. Welcome. Valeska Huber is a professor at the University of Vienna. She has led an Emmy Noether Research Group and has been a fellow at the German Historical Institute London. She is particularly interested in the mutual interdependence of opening and closure. During her fellowship at global dis:connect, she will work on a monograph about the 20th-century dream of universal literacy, tracing the Each One Teach One method propagated by US missionary Frank C. Laubach and applied around the globe from the Philippines to Cuba and Brazil. Continue Reading

Joël Glasman joins global dis:connect

A warm welcome to our new guest Joël Glasman who joins global dis:connect in october.

Joël is a Professor of African History at University of Bayreuth. He focuses on West and Central Africa in the 20th century, particularly colonialism, governmentality, humanitarianism and the production of power as framed by praxis theory and science and technology studies. His publications inquire into social classifications produced by state institutions, international governmentality and private corporations. He further engages with the theory of global history, global norms and colonialism. His last book, Les humanités humanitaires. Manuel d’autodéfense à l’usage des volontaires (2023), reflects on the practical use of the humanities.

Joël’s project At gd:c, Empire of waste, looks at imperialism as a regime of waste built on material exploitation and racial inequalities. Immobilisation, hiding and destruction of waste played a crucial role in imperial domination, as indicated by recent research on toxicity, waste dumping and radioactivity in Africa.

Continue Reading

David Motadel takes up fellowship

In September David Motadel commenced his term as a fellow at global dis:connect. Welcome. David Motadel is an associate professor of international history at the LSE. A former Gates Scholar at Cambridge, he has held visiting positions at Harvard, Yale, Oxford, Sciences Po and the Sorbonne. At gd:c he is working on a global history of Europe’s empires around the Second World War, 1935-1948, exploring the history of the war in the imperial world, its impact on colonial subjects; the history of the colonial soldiers who fought in Europe’s armies; the history of anti-colonial movements during the war, from the Viet Minh to the Quit India movement; and the war’s impact on the end of empire and twentieth-century world order. Continue Reading

Günther Sandner joins global dis:connect

A warm welcome to our new fellow Günther Sandner who joins global dis:connect in early September. Günther Sandner is a political scientist and historian. He works as a research fellow at the Institute Vienna Circle (University of Vienna) and teaches civic education extramurally. His research includes the history of logical empiricism and Isotype.   His project at gd:c, Following Isotype: visual languages and universal symbols in the decades after 1945, deals with projects that aimed to overcome the active absence of a universal language and to establish one with the help of pictures, graphics, symbols and pictograms. Its focus is on the 1950s and 1960s. Continue Reading