-1
archive,paged,tag,tag-news,tag-209,paged-3,tag-paged-3,qode-social-login-1.1.3,qode-restaurant-1.1.1,stockholm-core-2.3,select-child-theme-ver-1.1,select-theme-ver-8.9,ajax_fade,page_not_loaded,paspartu_enabled,menu-animation-underline,fs-menu-animation-underline,header_top_hide_on_mobile,,qode_grid_1300,qode_menu_center,qode-mobile-logo-set,wpb-js-composer js-comp-ver-6.6.0,vc_responsive

Camille Serchuk joins global dis:connect

Camille Serchuk

A warm welcome to our new guest Camille Serchuk who joins global dis:connect in early January. Camille is professor of art history at Southern Connecticut State University. She received her doctorate in art history from Yale in 1997, where she focused on images of medieval Paris. Since then, her research has focused primarily on the relationship between painting and mapmaking in late medieval and early modern Europe, with particular attention to the ways that artistic techniques and practices both enhanced and undermined the authority of cartography. The links between cartography and painting in 16th century France are also the subject of her recently completed book manuscript.   Continue Reading

Andrea Frohne joins global dis:connect

Andrea Frohne

A warm welcome to our new guest Andrea Frohne who joins global dis:connect in early January. Andrea is professor of African art history and Director of the School of Interdisciplinary Arts at Ohio University, with a joint appointment in the School of Art + Design and of African studies. Her first book is The African Burial Ground in New York City: Memory, Spirituality, and Space. Her second book titled Contemporary Arts from the Horn of Africa: Encounters Beyond Borders through Conflict, Colonialism, and Modernity is forthcoming. She earned her PhD from Binghamton University (State University of New York). She has taught at Cornell University, Pennsylvania State and Dickinson College.       Continue Reading

Yolanda Gutiérrez joins global dis:connect

Yolanda Gutiérrez

A warm welcome to our new fellow Yolanda Gutiérrez who joins global dis:connect in early November. Born in Mexico City and living in Hamburg, Yolanda Gutiérrez is a choreographer, video artist, curator and producer whose projects have appeared in a number of international festivals. She has worked with dancers, actors, wrestlers, musicians, DJs, composers, laypeople, children, costume designers and set designers throughout Europe, Asia, Latin America, the USA and Africa. Since 2017, she has choreographed the URBAN BODIES PROJECT and DECOLONYCITIES, consisting of decolonising audio walks with dance interventions. Continuing her investigations into the connections between colonial pasts, architecture and the body, her work at global dis:connect, comprises three modules: a research phase, a period of reflection and a concluding project in Munich. Gutiérrez is looking forward to having the time to reflect and write about her five-year journey of dance interventions in urban spaces.       Continue Reading

Lachlan Fleetwood joins global dis:connect

Lachlan Fleetwood

A warm welcome to our new guest Lachlan Fleetwood who joins global dis:connect in early November.

Lachlan Fleetwood is historian of science, empire, geography and the environment. He completed a PhD at Cambridge and subsequently held fellowships at University College Dublin and Yale. He comes to LMU as a Marie Skłodowska-Curie fellow. His work focuses on the uneven imposition of ostensibly global environmental categories by empires in the long nineteenth century. His research also investigates how geographical features like mountains and deserts can serve as scales for new global histories of science, empire and labour. His first book, Science on the Roof of the World: Empire and the Remaking of the Himalaya, was published by Cambridge University Press in 2022.

At global dis:connect, Lachlan is completing a project titled Imperial science and the habitability of Central Asia and Mesopotamia, 1815-1914: a history of the societal consequences of changing limits. This history of environmental sciences examines ideas of habitability, uninhabitability and climatic determinism in relation to empire, and it traces their postcolonial legacies in the age of climate crisis.

Continue Reading

Franziska Windolf joins global dis:connect

A warm welcome to our new fellow Franziska Windolf who recently joined global dis:connect.

Franziska Windolf is a visual artist currently exploring the performative potential of patchwork. She deconstructs the patchwork into ‘patch’ and ‘work’, understanding these terms as fragments and action in public or gallery spaces. For her, the artwork is a catalyst, a method of investigation, a means of connecting to people and a way to explore exile and commemoration. By contesting prevalent relationships and hierarchies, and by reassembling research findings, Franziska conceives the artwork as inconsistent, absurd and yet within reach.

While at global dis:connect, Franziska is working with diverse portable sculptures, whose forms emerge through encounters in public spaces. She creates an imaginary space of remembrance and reflection in which fragmented memories of exiled artists in the city as well as history of Munich find a poetic presence.   Continue Reading

Martin Puchner joins global dis:connect

A warm welcome to our new guest Martin Puchner who joins the Kolleg until late spring 2023. Martin Puchner has worked on such disparate topics as modernist closet dramas, revolutionary manifestos, Platonic dialogues, a history of world literature, environmental storytelling and Rotwelsch, the secret language of Central Europe. Having studied at the universities of Konstanz and Bologna, he pursued these topics at Columbia and Harvard, with shorter stints at Cornell, the Berlin Institute for Advanced Study, the New York Public Library and the American Academy. He occasionally attempts to bring the humanities to the attention of a larger public with op-eds, book reviews, essays, anthologies and open online courses.   At global dis:connect, Martin will expand his forthcoming history of culture, entitled Culture: the story of us, from cave art to K-pop, into a textbook introduction to the arts and humanities. The work focuses on mechanisms of transmission, with particular emphasis on interruption, misreading, appropriation and — of course — global dis:connections.     Continue Reading

Anna Grasskamp joins global dis:connect

A warm welcome to our new fellow Anna Grasskamp who joins the Kolleg until late summer 2023. Anna Grasskamp is a lecturer in art history at the University of St Andrews. She has authored Art and Ocean Objects of Early Modern Eurasia. Shells, Bodies, and Materiality (Amsterdam University Press, 2021) and Objects in Frames: Displaying Foreign Collectibles in Early Modern China and Europe (Reimer, 2019). Her articles have appeared in Res: Anthropology and Aesthetics, Renaissance Studies and other journals. Anna is a subject editor at the review journal SEHEPUNKTE and a member of the editorial boards of the book series Global Epistemics and the Journal for the History of Knowledge.   Project: Trash as treasure: value disconnections and the recycling of Chinese matter in art and design, 1500–2020 Recycling materials ‘made in China’ has a short history in the daily practices of middle-class households, but a long history in global art and design. Chinese natural resources, such as rare-earth metals used in digital devices and commodities like porcelain made of Chinese clay, have been pivotal to material, technological and artistic exchanges between Europe and Asia since early modernity. This project investigates art and design as fields of pioneering research in which strategies to reuse Chinese matter were developed centuries before the term ‘recycling’ – as we use it today – was adopted. It researches material flows of garbage in relation to disrupted material value systems associated with trash. Disruptions take place across cultural boundaries that allow for radical changes in systems of material evaluation (e.g. enabling the perception of ‘trash as treasure’) and through transcultural artistic research, which reuses and re-evaluates seemingly ‘meaningless’ garbage by turning it into multi-million-dollar art installations and prized design innovations. The project offers a non-hegemonic history of art and design, which researches urban hubs and rural ecologies, the works of artists and artisans, as well as the products of craftsmen and factory workers across social, historic and cultural divides.     Continue Reading

Martin Rempe joins global dis:connect

A warm welcome to our new fellow Martin Rempe who joins the Kolleg until autumn.

Martin studies modern German, European and African history, particularly the social history of cultural work as well as the history of colonialism, decolonisation and development. Transnational and global perspectives are at the heart of his research. Martin’s career path has led him through stints in Berlin, Strasbourg, Heidelberg, Vanderbilt University in Nashville, Freiburg, Paris and Konstanz.   At global dis:connect, he is examining the role and significance of the military in civic musical life during the long 19th century from a global perspective. From the French Revolution to the First World War, military music shaped how music has come to be consumed, produced, appreciated and practised worldwide. Indeed, it has profoundly marked how we continue to valorise culture, and it propagated European music formations in distant geographies. Combining processes of rupture and continuity, displacement and integration, dis:connectivity is a key concept in grasping how military music has helped to (trans)form our world.
    Continue Reading

Enis Maci joins global dis:connect

A warm welcome to our new fellow Enis Maci who just joined the Kolleg for two fellow stints, one in winter/spring and one in summer 2022.

Enis  is one of Europe’s most striking polyartists. Her plays Lebendfallen, Mitwisser and Autos have appeared at the Schauspielhaus in Vienna and the Schauspiel in Leipzig, and she has served as the playwright-in-residence at the Nationaltheater in Mannheim. Her essay collection, Eiscafé Europa, debuted to widespread acclaim at the 2018 Frankfurt Book Fair.   While at global dis:connect, Enis works on Habitat – an exploration of mythologies of information, their global dissemination and the esoteric, yet tangible ways in which contentious narratives touch upon concrete bodies and subjectivities.
.     Continue Reading

Bernhard Schär joins global dis:connect as a Marie Skłodowska-Curie Fellow

  We are very happy to report that today, global historian Bernhard Schär (formerly ETH Zurich) joins our Kolleg as Marie Skłodowska-Curie Fellow. Bernhard is working on a project entitled: „European Mercenaries in the Dutch Empire. A connected History of Imperial Europe and Colonial Indonesia, c. 1800-1900“. You can learn more about the project here: https://cordis.europa.eu/project/id/101022315   Continue Reading