-1
archive,paged,category,category-news,category-121,paged-4,category-paged-4,qode-social-login-1.1.3,qode-restaurant-1.1.1,stockholm-core-2.3,select-child-theme-ver-1.1,select-theme-ver-8.9,ajax_fade,page_not_loaded,paspartu_enabled,menu-animation-underline,fs-menu-animation-underline,header_top_hide_on_mobile,,qode_grid_1300,qode_menu_center,qode-mobile-logo-set,wpb-js-composer js-comp-ver-6.6.0,vc_responsive

The Singer of Shanghai Scottish Premiere

Kevin Ostoyich spoke in Edinburgh, Scotland following the Scottish Premiere of The Singer of Shanghai on 31 January 2023. Ostoyich co-wrote the play with Prof. Kari-Anne Innes and the students of the course, Historical Theatre: The Shanghai Jews at Valparaiso University. The play narrates the true story of the Abraham family as they fled from Germany after Kristallnacht and found a haven in Shanghai, China. The play was performed in Edinburgh by students of Broughton High School. The event was sponsored by the Edinburgh Interfaith Association; the Edinburgh Jewish Cultural Centre; and Adam and Kyeon-ah Leven and Family. Ostoyich is currently working on two more plays titled Three Girls of Shanghai and Three Boys of Shanghai. Ostoyich hopes the plays will be performed at schools around the world in order to spread awareness about the history of the Shanghai Jews. If you or anyone you know is interested in performing any of these plays, please contact Ostoyich at Kevin.Ostoyich@valpo.edu. Continue Reading

Arnab Dey joins global dis:connect

A warm welcome to our new guest Arnab Dey who joins global dis:connect in early February. Currently an associate professor of history at the State University of New York at Binghamton, Arnab is a historian of modern India and the British Empire, with research interests centred around questions of law, labour and the environment. Arnab’s first monograph, Tea Environments and Plantation Culture looked at the monoculture tea enterprise of British east India. This study brought the plant and the plantation together in analysing the praxis and politics of commodity capitalism. His associated research agendas and publications have similarly involved tracing imperial capital, legal regimes and environmental transformations in the British colonial world and the Indian subcontinent. Continue Reading

Katharina Wilkens joins global dis:connect

A warm welcome to our new guest Katharina Wilkens who joins global dis:connect in early February.

Katharina Wilkens is a scholar of religion with a wide range of interests, particularly in the fields of African religions and aesthetics of religion. After graduating in the study of religion, anthropology and Islamic studies at the University of Bayreuth, she taught at the universities of Heidelberg, Munich, Bayreuth, Zurich, Salzburg and Leipzig. Her PhD project was a case study of Catholic exorcism and healing in Tanzania. She has published on religious healing, spirit possession, the practice of drinking the Quran, travelogues written by Africans and the aesthetics of material texts.

  Continue Reading

Jeanno Gaussi joins global dis:connect

Jeanno Gaussi

A warm welcome to our new guest Jeanno Gaussi who joins global dis:connect in early February.
Born in Kabul, and growing up in Kabul, Delhi and Berlin, Jeanno’s interests transcend national borders and genres. Initially focused on film and video art, her work now transcends genre boundaries. Starting from a narrative concept, she creates installations that include video, photography, objects and texts. Her art explores the places where she’s worked, travelled and had meaningful encounters. It engages with remembrance, identity  and the social and cultural processes associated with them. She develops projects in relation to the place of their creation, examining the unique aspects of her surroundings.
  Continue Reading

Camille Serchuk joins global dis:connect

Camille Serchuk

A warm welcome to our new guest Camille Serchuk who joins global dis:connect in early January. Camille is professor of art history at Southern Connecticut State University. She received her doctorate in art history from Yale in 1997, where she focused on images of medieval Paris. Since then, her research has focused primarily on the relationship between painting and mapmaking in late medieval and early modern Europe, with particular attention to the ways that artistic techniques and practices both enhanced and undermined the authority of cartography. The links between cartography and painting in 16th century France are also the subject of her recently completed book manuscript.   Continue Reading

Andrea Frohne joins global dis:connect

Andrea Frohne

A warm welcome to our new guest Andrea Frohne who joins global dis:connect in early January. Andrea is professor of African art history and Director of the School of Interdisciplinary Arts at Ohio University, with a joint appointment in the School of Art + Design and of African studies. Her first book is The African Burial Ground in New York City: Memory, Spirituality, and Space. Her second book titled Contemporary Arts from the Horn of Africa: Encounters Beyond Borders through Conflict, Colonialism, and Modernity is forthcoming. She earned her PhD from Binghamton University (State University of New York). She has taught at Cornell University, Pennsylvania State and Dickinson College.       Continue Reading

Looking back at global dis:connect’s first annual conference, 20-21 october 2022 (by hanni geiger & tom menger)

@Annalena Labrenz & David Grillenberger

The first annual conference of global dis:connect, entitled Dis:connectivity in processes of globalisation: theories, methodologies and explorations, took place in Munich on 20-21 October. As the title indicated, the conference aimed to ground the vast field of research on global dis:connectivity by probing what theories and methodologies might be fruitful. The conference sought to start the discussion rather than to formulate definitive answers, laying the groundwork for further reflections on these issues over the coming years in conversation with our current and future fellows at the centre. This international conference brought together different disciplines: historians, art historians, theatre scholars and others in conjunction with creative professionals from the arts, including architecture, design and theatre. The dialogue between theory and practice, each with its own distinctive approaches, induced productive friction. Artistic and philosophical approaches showed their potential to offer new modes of studying a phenomenon as complex as global dis:connectivity. The conference featured three panels: interruptions, absences and detours. The presentations revealed how researching these modes of dis:connectivity can mean very different things. Such research can mean asking about tradition and modernity and their relation to globalisation; it meant looking at the interplay of nationalism and globalisation in societies marked by stringent national, ethnic and religious demarcations; it meant searching for connections and disconnections simultaneously in such bounded contexts such as the global interactions of the Cold War era. Many papers also looked at how individuals negotiate global connections and disconnections in their own personal biographies, revealing the affective attributions, emotions and ideological influences that make globalisation processes significant in the first place. Such research also entails recovering the agents and groups that were effaced by later hegemonic narratives. Some participants even sought to understand experiences of  dis:connectivity beyond our conventional Western understandings of linear time and Euclidian space in ways that might enable more personalised modes of dealing with forced or trauma-induced immobility.

@Ben Kamis

Dis:connectivity is an expansive research object and always threatens to elude us. The papers and unconventional presentations of this conference emphasised both the need to refine the term and the extent to which unconventional methodologies and theories allow us to approach dis:connectivity. The complexity of globalisation processes that the conference sought to explore affect our present in dramatic ways. As was highlighted in the conference’s wrap-up, seeking to better understand this complexity can tangibly affect society. The original announcement and the full programme of the conference can be found here. Continue Reading

Yolanda Gutiérrez joins global dis:connect

Yolanda Gutiérrez

A warm welcome to our new fellow Yolanda Gutiérrez who joins global dis:connect in early November. Born in Mexico City and living in Hamburg, Yolanda Gutiérrez is a choreographer, video artist, curator and producer whose projects have appeared in a number of international festivals. She has worked with dancers, actors, wrestlers, musicians, DJs, composers, laypeople, children, costume designers and set designers throughout Europe, Asia, Latin America, the USA and Africa. Since 2017, she has choreographed the URBAN BODIES PROJECT and DECOLONYCITIES, consisting of decolonising audio walks with dance interventions. Continuing her investigations into the connections between colonial pasts, architecture and the body, her work at global dis:connect, comprises three modules: a research phase, a period of reflection and a concluding project in Munich. Gutiérrez is looking forward to having the time to reflect and write about her five-year journey of dance interventions in urban spaces.       Continue Reading

Lachlan Fleetwood joins global dis:connect

Lachlan Fleetwood

A warm welcome to our new guest Lachlan Fleetwood who joins global dis:connect in early November.

Lachlan Fleetwood is historian of science, empire, geography and the environment. He completed a PhD at Cambridge and subsequently held fellowships at University College Dublin and Yale. He comes to LMU as a Marie Skłodowska-Curie fellow. His work focuses on the uneven imposition of ostensibly global environmental categories by empires in the long nineteenth century. His research also investigates how geographical features like mountains and deserts can serve as scales for new global histories of science, empire and labour. His first book, Science on the Roof of the World: Empire and the Remaking of the Himalaya, was published by Cambridge University Press in 2022.

At global dis:connect, Lachlan is completing a project titled Imperial science and the habitability of Central Asia and Mesopotamia, 1815-1914: a history of the societal consequences of changing limits. This history of environmental sciences examines ideas of habitability, uninhabitability and climatic determinism in relation to empire, and it traces their postcolonial legacies in the age of climate crisis.

Continue Reading

Franziska Windolf joins global dis:connect

A warm welcome to our new fellow Franziska Windolf who recently joined global dis:connect.

Franziska Windolf is a visual artist currently exploring the performative potential of patchwork. She deconstructs the patchwork into ‘patch’ and ‘work’, understanding these terms as fragments and action in public or gallery spaces. For her, the artwork is a catalyst, a method of investigation, a means of connecting to people and a way to explore exile and commemoration. By contesting prevalent relationships and hierarchies, and by reassembling research findings, Franziska conceives the artwork as inconsistent, absurd and yet within reach.

While at global dis:connect, Franziska is working with diverse portable sculptures, whose forms emerge through encounters in public spaces. She creates an imaginary space of remembrance and reflection in which fragmented memories of exiled artists in the city as well as history of Munich find a poetic presence.   Continue Reading