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Yolanda Gutiérrez joins global dis:connect

Yolanda Gutiérrez

A warm welcome to our new fellow Yolanda Gutiérrez who joins global dis:connect in early November. Born in Mexico City and living in Hamburg, Yolanda Gutiérrez is a choreographer, video artist, curator and producer whose projects have appeared in a number of international festivals. She has worked with dancers, actors, wrestlers, musicians, DJs, composers, laypeople, children, costume designers and set designers throughout Europe, Asia, Latin America, the USA and Africa. Since 2017, she has choreographed the URBAN BODIES PROJECT and DECOLONYCITIES, consisting of decolonising audio walks with dance interventions. Continuing her investigations into the connections between colonial pasts, architecture and the body, her work at global dis:connect, comprises three modules: a research phase, a period of reflection and a concluding project in Munich. Gutiérrez is looking forward to having the time to reflect and write about her five-year journey of dance interventions in urban spaces.       Continue Reading

Lachlan Fleetwood joins global dis:connect

Lachlan Fleetwood

A warm welcome to our new guest Lachlan Fleetwood who joins global dis:connect in early November.

Lachlan Fleetwood is historian of science, empire, geography and the environment. He completed a PhD at Cambridge and subsequently held fellowships at University College Dublin and Yale. He comes to LMU as a Marie Skłodowska-Curie fellow. His work focuses on the uneven imposition of ostensibly global environmental categories by empires in the long nineteenth century. His research also investigates how geographical features like mountains and deserts can serve as scales for new global histories of science, empire and labour. His first book, Science on the Roof of the World: Empire and the Remaking of the Himalaya, was published by Cambridge University Press in 2022.

At global dis:connect, Lachlan is completing a project titled Imperial science and the habitability of Central Asia and Mesopotamia, 1815-1914: a history of the societal consequences of changing limits. This history of environmental sciences examines ideas of habitability, uninhabitability and climatic determinism in relation to empire, and it traces their postcolonial legacies in the age of climate crisis.

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Franziska Windolf joins global dis:connect

A warm welcome to our new fellow Franziska Windolf who recently joined global dis:connect.

Franziska Windolf is a visual artist currently exploring the performative potential of patchwork. She deconstructs the patchwork into ‘patch’ and ‘work’, understanding these terms as fragments and action in public or gallery spaces. For her, the artwork is a catalyst, a method of investigation, a means of connecting to people and a way to explore exile and commemoration. By contesting prevalent relationships and hierarchies, and by reassembling research findings, Franziska conceives the artwork as inconsistent, absurd and yet within reach.

While at global dis:connect, Franziska is working with diverse portable sculptures, whose forms emerge through encounters in public spaces. She creates an imaginary space of remembrance and reflection in which fragmented memories of exiled artists in the city as well as history of Munich find a poetic presence.   Continue Reading

CfP: Nomadic Camera. Photography, Displacement and Dis:connectivities, 13-15 jun 2023

Nomadic Camera. Photography, Displacement and Dis:connectivities

Workshop at the Käte Hamburger Research Centre Dis:connectivity in Processes of Globalisation (global dis:connect), Ludwig-Maximilians-Universität Munich

1315 June 2023

Organisers: Burcu Dogramaci (Käte Hamburger Research Centre, LMU Munich), Winfried Gerling (European Media Studies – University of Applied Sciences Potsdam/University Potsdam and Brandenburg Centre for Media Studies (ZeM), Potsdam), Jens Jäger (University of Cologne) and Birgit Mersmann (University of Duisburg-Essen)

Processes of migration and flight after 2015 and their depiction, perception and distribution through photography form the initial point of the workshop and subsequent publication Nomadic Camera. The research project seeks to investigate the technical, medial and aesthetic relationship of photography and contemporary migration, historical exile and flight as the pivotal discursive setting in which specific forms of mobility extending from the mid-nineteenth century to today have been negotiated.

The concept adapts the term ‘nomadic’ — a transitory form of existence — beyond static concepts of being and national boundaries (Demos 2017). ‘Nomadic’ refers to a form of mobility that establishes continuities and discontinuities with other terms, such as ‘travel’, ‘displacement’ and ‘exile’ (Kaplan 1996). At the same time, displacements are intrinsically related to experiences of connectivities and disconnectivities, including place-making and belonging, ruptures between life and work in the past and present, experiences of loss and challenges of beginnings.

Viewing photography as a formative part of this history of mobility and migration, we will examine the interconnection between the concepts of ‘nomadic’ and ‘camera’. From its introduction in the early-nineteenth century and throughout numerous technical developments and innovations, photography has been a mobile medium closely tied to equipment, social conditions and cultural framings. Setting out from this hypothesis, the workshop and publication “Nomadic Camera” will centre around the following questions: how are dislocations interconnected with the technical evolutions of the mobile medium of photography? In which way do camera technologies presuppose and affect the visual formulation of exile, migration and flight experiences? What modifications in aesthetics and style, methods and practices of photography do temporary mobility, geographical relocation and resettlement imply?

The workshop organisers seek contributions that analyse the interrelation of photography and displacement from a variety of interdisciplinary perspectives and diverse methodologies, theoretical approaches and thematical framings. The workshop and the resulting publication will be arranged into four main sections:

Section A: Techniques, technologies

Section B: Body, agents, performativity

Section C: Media narrations, narratives

Section D: Circulation, archive, memory.

We invite also artistic visual essays in addition to scholarly contributions.

The Käte Hamburger Research Centre will cover hotel and return travel costs within Europe or, for those coming from other continents, a significant portion of return flights (details determined after acceptance) for those invited to present. The workshop will be in English. Presentations should be 30 minutes in length. Remote participation will be possible, as the workshop will be held in hybrid form.

Expanded, elaborated contributions based on selected talks from the workshop will be published in an edited volume. Final drafts must be submitted by 15 November 2023. Applicants should note the turn-around time between the workshop and the final submission date.

Proposals of up to 300 words should indicate the preferred section. Please send them along with a half-page CV to Burcu Dogramaci (burcu.dogramaci@lmu.de), Winfried Gerling (winfried.gerling@fh-potsdam.de), Jens Jäger (jens.jaeger@uni-koeln.de), Birgit Mersmann (birgit.mersmann@uni-due.de) by 15 November 2022.

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Gabriele Klein joins global dis:connect

A warm welcome to our new fellow Gabriele Klein who joins the Kolleg until autumn 2023.
Gabriele Klein is a sociologist and dance scholar with a background in the sociology of body, movement and sport as well as dance and performance studies. Her work draws on a range of mixed methods. She has published almost 30 books and numerous articles on body aesthetics, body images and body politics, the globalisation of pop and dance cultures, dance theatre (especially on Pina Bausch), dance as and in protest culture and the transfer of African dance cultures to the global art market. Her current research addresses the tension between globalisation and (re)nationalisation, decolonisation and digitalisation.   

Her project aims to explore the tension between the decline of in-person communication and the simultaneous expansion of digital communication using contemporary dance as an example. It aims to show how established artistic working methods, forms of communication and collaboration, and performance formats have changed since the Covid pandemic. It asks how this has transformed the perception and the understanding of dance.

 
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28 Sep 22, Lecture of Kevin Ostoyich in Erfurt on Jewish refugees in Shanghai

Our fellow Kevin Ostoyich is giving a talk on Jewish refugees in Shanghai during the Second World War at the Begegnungsstätte Neue Synagoge in Erfurt (address: An der Stadtmünze 5, 99084 Erfurt) on September 28 at 6 p.m. The talk will be held in English.  About the lecture: Kevin Ostoyich will give an overview of the history of Jewish refugees who fled Nazi-dominated Europe for Shanghai, China, during the Second World War. His reading will draw on interviews he has conducted with Jews who had to flee from Europe to Shanghai and establish a new life there. Click here for the announcement by the Begegnungsstätte Kleine Synagoge.     Continue Reading

Siddharth Pandey joins global dis:connect

A warm welcome to our new fellow Siddharth Pandey who joins the Kolleg until autumn 2023.

Siddharth Pandey is a writer, photographer and curator from the Shimla Himalayas holding a PhD in English and Materiality Studies Cambridge University. He has held fellowships in global history and art history at LMU, Yale, and the Paul Mellon Centre, and he has received the Charles Wallace India Trust Award. Pandey's research interests span a variety of fields, such as fantasy and children’s literature, nature writing, craft theory, folk culture, cinema studies and pop culture. His first book, Fossil, explored the Himalayas through a geo-mythological-poetic lens and is a finalist for the Banff Film and Mountain Literature Festival. His photographic-curatorial work has appeared in the Victoria and Albert Museum and the Oriental Museum in Durham, among other institutions.

My project, ‘This fissured land’: ecological aesthetics, dwelling perspective and modernity's entanglements in the Western Himalayas, interprets global dis:connections in the Himachal Himalayas of North India. Taking the Western Himalayan landscape and its various cultural practitioners as my sources, I develop an interdisciplinary perspective on how this terrain as a land of belonging and natural-cultural rootedness. Drawing upon those sources, I hope to enrichthe conversation on living and being among different people and ideas. I also study how this sense of belonging —traditionally associated with a sensitive ecological attunement and aesthetic fulfillment — is threatened by modernity's multifaceted pressures. Interweaving the concept of ‘dwelling perspective’ with a host of methodologies, I seek a fresh, creative exposition of connections and disconnections in the mountainous realm, one that resonates with other such spaces as well.

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Viviana Iacob joins global dis:connect

A warm welcome to our new fellow Viviana Iacob who joins the Kolleg until autumn 2023. Viviana Iacob is a theatre historian with a background in the history of art and theatre as well as Shakespeare studies. Her work relies on interdisciplinary methodologies and a trans-regional reading of post-war Eastern European theatre cultures and focuses on the global history of illiberal regimes during the Cold War and its aftermath. She has conducted archival research on the history of international theatre organisations and their role in globalising state-socialist cultures after 1945 in Romania, Hungary, Bulgaria, Germany and France. Between May 2020 and July 2022 she was a Humboldt fellow, which gave her the opportunity to develop a monograph that explores the circulations and contributions of Eastern European theatre practitioners in international organisations. These trajectories of expertise reflect North-East-South entanglements and networks forged at the intersection of Cold War politics, decolonisation and globalisation.   Project: Alternative theatre globalisations: internationalising illiberal regimes since the late 1970s The project re-historicises the relationship between globalisation and theatre by analysing the practices of internationalisation and cultural diplomacy deployed by illiberal regimes before and after 1989. The project identifies trans-regional dis:connections that differ from those converging on or emerging from the West. The research combines the study of late-Cold War globalisation processes with a focus on international theatre organisations.  By highlighting alternative globalities, the project addresses patterns of integration and disintegration that have been marginalised by entrenched Western-centric discourses on recent histories of theatre. To read a interview with Viviana, click here   Continue Reading

Martin Puchner joins global dis:connect

A warm welcome to our new guest Martin Puchner who joins the Kolleg until late spring 2023. Martin Puchner has worked on such disparate topics as modernist closet dramas, revolutionary manifestos, Platonic dialogues, a history of world literature, environmental storytelling and Rotwelsch, the secret language of Central Europe. Having studied at the universities of Konstanz and Bologna, he pursued these topics at Columbia and Harvard, with shorter stints at Cornell, the Berlin Institute for Advanced Study, the New York Public Library and the American Academy. He occasionally attempts to bring the humanities to the attention of a larger public with op-eds, book reviews, essays, anthologies and open online courses.   At global dis:connect, Martin will expand his forthcoming history of culture, entitled Culture: the story of us, from cave art to K-pop, into a textbook introduction to the arts and humanities. The work focuses on mechanisms of transmission, with particular emphasis on interruption, misreading, appropriation and — of course — global dis:connections.     Continue Reading

Anna Grasskamp joins global dis:connect

A warm welcome to our new fellow Anna Grasskamp who joins the Kolleg until late summer 2023. Anna Grasskamp is a lecturer in art history at the University of St Andrews. She has authored Art and Ocean Objects of Early Modern Eurasia. Shells, Bodies, and Materiality (Amsterdam University Press, 2021) and Objects in Frames: Displaying Foreign Collectibles in Early Modern China and Europe (Reimer, 2019). Her articles have appeared in Res: Anthropology and Aesthetics, Renaissance Studies and other journals. Anna is a subject editor at the review journal SEHEPUNKTE and a member of the editorial boards of the book series Global Epistemics and the Journal for the History of Knowledge.   Project: Trash as treasure: value disconnections and the recycling of Chinese matter in art and design, 1500–2020 Recycling materials ‘made in China’ has a short history in the daily practices of middle-class households, but a long history in global art and design. Chinese natural resources, such as rare-earth metals used in digital devices and commodities like porcelain made of Chinese clay, have been pivotal to material, technological and artistic exchanges between Europe and Asia since early modernity. This project investigates art and design as fields of pioneering research in which strategies to reuse Chinese matter were developed centuries before the term ‘recycling’ – as we use it today – was adopted. It researches material flows of garbage in relation to disrupted material value systems associated with trash. Disruptions take place across cultural boundaries that allow for radical changes in systems of material evaluation (e.g. enabling the perception of ‘trash as treasure’) and through transcultural artistic research, which reuses and re-evaluates seemingly ‘meaningless’ garbage by turning it into multi-million-dollar art installations and prized design innovations. The project offers a non-hegemonic history of art and design, which researches urban hubs and rural ecologies, the works of artists and artisans, as well as the products of craftsmen and factory workers across social, historic and cultural divides.     Continue Reading