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Roma in Munich: Making gaps in art history visible

Małgorzata Mirga-Tas, Out of Egypt from Out of Egypt series (2020–2021), courtesy of the artist. | © Małgorzata Mirga-Tas

Małgorzata Mirga-Tas, Out of Egypt from Out of Egypt series (2020–2021), courtesy of the artist. | © Małgorzata Mirga-Tas

On Monday, December 9th, an artist talk with our artist fellow Małgorzata Mirga-Tas and her curator Wojciech Szymański will take place at global dis:connect.
In this regard, Małgorzata and our Director Burcu Dogramaci talked about the collaboration with Małgorzata and her current project at Käte Hamburger Research Centre global dis:connect. You can finde the interview here.
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Out now – new publication by alumna fellow Cathrine and our director Burcu

Cathrine Bublatzky, Burcu Dogramaci, Kerstin Pinther and Mona Schieren. Entangled Histories of Art and Migration. Theories, Sites and Research Methods. Bristol: intellect, 2024. Dedicated to the stories of migrants, refugees, asylum seekers, and exiles, this collection asks how these stories are interwoven with art, art practices, activism, reception, and (re-)presentation. It explores the complex entanglements of art and aesthetic practices with migration, flight, and other forms of enforced dislocation and border/border crossings in global contexts - the latter significant phenomena of social transformation in the twentieth and twenty-first centuries. These entanglements take centre stage when migration shapes forms and aesthetics (and vice versa), when actors employ image politics and visualisation strategies in and about migration at different times and places, or when materialities, sites, and spaces gain importance for decision-making processes. Giving space to these stories of art and migration and its power of pluriverse knowledge production, the book takes an art and cultural studies perspective and questions the significance of spatial changes for artistic practice in migration and elaborates on new or different theory formation. Bringing together its case studies and theoretical approaches, the argumentation unfolds over the five sections of the book Visibilities | Invisibilities, Sites | Spaces, Materiality |  Materialisation, Racism | Resistance and Practices | Performativity.     Continue Reading

Wojciech Szymański takes up fellowship

In September Wojciech Szymański commenced his term as a fellow at global dis:connect. Welcome. Wojciech Szymański is an art historian and critic, independent curator and assistant professor at the University of Warsaw. The aim of his project at gobal dis:connect is to explore the relationships between Roma subjects and non-Roma artists in Paris, seeking to restore the visibility and identity of the Roma in relation to contemporary Munich-based art. Another key focus is the Roma and Sinti Holocaust. The broader goal is to examine Roma–non-Roma relations in Munich during the first half of the 20th century, a time when anti-Roma policies and discrimination escalated, ultimately leading to their extermination. Continue Reading

Gerald Siegmund joins global dis:connect

A warm welcome to our new fellow Gerald Siegmund who joins global dis:connect in September. Gerald Siegmund is a professor of applied theatre studies at the Justus-Liebig University in Giessen. His research focuses on forms of contemporary theatre, dance, performance, aesthetics, theories of memory and the intermediality of theatre in relation to the visual arts. Gerald’s research project at global dis:connect explores the connection of body, landscape and memory. It takes up recent developments in memory and trauma studies that view processes of commemoration as dynamic, transformative and transmedial phenomena. Continue Reading

Welcome, Ulrike Lindner

In early September Ulrike Lindner joins global dis:connect as a new fellow. Welcome to Munich, Ulrike! Ulrike Lindner is a professor of modern history at the University of Cologne. Her research interests lie in comparative, colonial and global history. During her fellowship at global dis:connect, she will explore why the topic has received less attention than the dominant migration narratives of the 19th and 20th century. Secondly, she will investigate the concrete agency of African migrant workers who tried to be deviant and to use ‘detours’ to resist their integration into the capitalist market economy of the new colonial rulers in Africa at the end of the 19th century. Continue Reading

Mark Häberlein takes up fellowship

In October Mark Häberlein commenced his term as a fellow at global dis:connect. Welcome. Mark Häberlein is a professor of early modern history at the University of Bamberg. His research focusses on the economic, social, urban and cultural history of the early modern period and on the history of North America and the Atlantic world. His project at global dis:connect deals with the intensifying relations between Central Europe and North America in the 18th century. Continue Reading

Işıl Eğrikavuk joins global dis:connect

A warm welcome to our new fellow Işıl Eğrikavuk who joins global dis:connect in early October. Işıl Eğrikavuk holds an MFA from The School of the Art Institute of Chicago (SAIC) and a Ph.D. in communication from Istanbul Bilgi University. Işıl has worked at the Berlin University of Arts (UdK) since 2017 and was the co-winner of Turkey’s Full Art Prize in 2012.     Continue Reading

Welcome, Elizabeth DeLoughrey!

In early October Elisabeth DeLoughrey joins global dis:connect as a new fellow. Welcome to Munich, Elisabeth! Elizabeth DeLoughrey is a professor in the English Department and the Institute of the Environment and Sustainability at UCLA. At global dis:connect, Elizabeth will be working on a book project entitled Submarine Futures: Cold War Aesthetics and its Afterlives, which examines the deep seas as a vital frontier for Cold War militarism and a cultural and aesthetic space for contemporary art from the global South. Continue Reading

Anna Nübling’s Dissertation Now Published

global dis:connect congratulates Dr. Anna Nübling, a former member of the gd:c post-doc programme whom we greatly miss, on the publication of her dissertation. The book, entitled Fortschreiten und Festhalten Zeitkapseln und Geschichtsphilosophie in der Hochmoderne and published by Kadmos, deals with the practice of preserving time capsules that their creators used to communicate with their own futures and to give their successors a certain few into their pasts. Anna also considers the philosophies of history implied by such practices, which she traces from the late 19th century to the 1970s.

 

Bravo Anna! We cherish our common past and look with great anticipation to your promising future.

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