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20-21 november, new research on the (global) history of the South Caucasus and networking meeting

The workshop "New research on the (global) history of the South Caucasus and networking meeting" is a cooperation between the Chair of Russian-Asian Studies at LMU, the Max Weber Network Eastern Europe and gd:c.   The workshop will take place in German.   Dates: 20-21 November, 2025 Venue: Käte Hamburger Research Centre global dis:connect, Maria-Theresia-Str. 21, 81675 Munich   Convened by Helena Holzberger (LMU) and Moritz Florin (Max Weber Network Eastern Europe)   You can find the programme HERE. Continue Reading

Azadeh Sharifi

Azadeh Sharifi is a theatre and performance scholar who holds the chair for the theory and history of theatre at the Berlin University of the Arts. She has previously held visiting professorships at the Free University of Berlin, the University of Toronto and the Berlin University of the Arts. Her research focuses on postcolonial and postmigrant theatre and its history, contemporary performance art, and decolonial and activist practices in theatrical spaces. She is currently working on her second monograph, Theatre in Post-Migrant Germany: Performing Race, Migration and Coloniality Since 1945.
 

Dis:connected artistic genealogies, othered aesthetics - Brecht's legacies in the artistic work of Türkisches Ensemble am Berliner Schaubühne am Halleschen Ufer (1979-84) and Teatro Lautaro at Volksbühne Rostock (1974-81)

This project explores the artistic genealogies and aesthetics of the work of the two theatre groups, the Türkisches Ensemble am Berliner Schaubühne am Halleschen Ufer (1979-84) and the Teatro Lautaro/ Volksbühne Rostock (1974-81), and their reciprocal relation to Brecht's reception in their countries of origin as well as in East and West Germany.  The project focuses on their aesthetic and theoretical contribution to a transnational reception of Brecht and aims to make the artists and their work visible and accessible for the field of performance studies.
  Have a look at Azadeh’s research poster about her project.  

Contact

Click HERE to mail Azadeh.
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Elizabeth DeLoughrey

Elizabeth is a professor at UCLA. She authored Routes and Roots: Navigating Caribbean and Pacific Literatures, and Allegories of the Anthropocene andco-edited Caribbean Literature and the Environment: Between Nature and CulturePostcolonial Ecologies: Literatures of the Environment; and Global Ecologies and the Environmental Humanities: Postcolonial Approaches in addition to numerous journal issues on critical ocean, island and militarism studies. Her scholarship has been supported by the Rockefeller Foundation, the Andrew W. Mellon Foundation, Fulbright New Zealand, the Rachel Carson Center and the John Simon Guggenheim Foundation.
 

Submarine Futures: Cold War Aesthetics and its Afterlives

During her fellowship at the gd:c, Elizabeth will be working on a book project entitled Submarine Futures: Cold War Aesthetics and its Afterlives, which examines the deep seas as a vital frontier for Cold War militarism and a cultural and aesthetic space for contemporary art from the global South. More specifically, she will be writing about the International Seabed Authority and its configuration of deep-sea polymetallic nodules as figures of non-life, placing these discourses in conversation with indigenous ontologies of the ocean and its inhabitants.
 
Have a look at Liz’s research poster about her project.  

Contact

Click HERE to mail Liz and HERE for a list of her publications.  
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Katy Deepwell

Katy is an art critic based in London. She is the founder and editor of KT press (1998-present) and n.paradoxa: international feminist art journal (1998-2017). She was a professor of contemporary art, theory and criticism at Middlesex University (2013-Feb 2025). She is the editor/author of over 10 books, Conversations on Art, Artworks and Feminism (KT press, 2025), (ed) Feminist Art Activisms and Artivisms (Valiz, 2020), a special issue of Arts(MDPI) ‘Beyond/Around Feminist Aesthetics’ (2023).  
 

Feminisms, contemporary art, links and disconnections with world-system theories

This is an issue-based political analysis of the problematics of feminist art criticism, where the focus is on transnational and transgenerational feminisms. This is a story of interruptions, absences, detours and aporia. World-systems theories (e.g. Maria Mies and Immanuel Wallerstein) as theories about capital accumulation provide starting points to describe the diverse locations of feminism around the globe over the last 60 years. The aim is to rethink how feminisms operate as a geo-culture beyond borders and as a travelling concept.
  Have a look at Katy’s research poster about her project.  

Contact

Click HERE to mail Katy and HERE for her website.
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Monica Juneja

Monica is senior professor art history at the University of Heidelberg, and distinguished professor of the arts and humanities at Shiv Nadar University. She has written on transculturation and the disciplinary practices of art history in South Asia, the history of visuality in early modern South Asia, heritage and architectural histories. Her latest book Can Art History be Made Global? Meditations from the Periphery received the Opus Magnum award of the Volkswagen Foundation. She also received the Meyer-Struckmann Prize and the 2024 Distinguished Teaching of Art History Award of the CAA.   Monica joined global dis:connect funded by the Munich Centre for Global History.
 

What, where, when was art? The travails of a global context 

While the endlessly proliferating, English-language term art is ubiquitous in several contexts, it has also generated contestation, such as over the question of what distinguishes art from religious objects. My project investigates the linguistic and historical negotiations the modern concept of art undergoes in South Asia after disconnecting from its European moorings. By combining transculturation with the insights of global dis:connections, it looks beyond hybridity and assimilation to make sense of detours and frictions, to understand the tensions between connectivity and difference.
 

Contact

Click HERE to mail Monica and HERE for a list of her publications.
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Ulinka Rublack

Ulinka is a professor of early modern history at the University of Cambridge and fellow of the British Academy and St John’s College. Born in Tübingen, she studied history, art history, and sociology in Hamburg and Cambridge. Her award-winning books include The Astronomer & the Witch, Dürer’s Lost Masterpiece and Dressing Up. She has held fellowships in Paris, Amsterdam, Berlin and Harvard and published widely on the reformation and cultural identity.   Ulinka joined global dis:connect as a shared fellow with Historisches Kolleg.
 

The triumph of fashion: a global history from the Silk Roads to empires of cotton

What role has fashion played through history? How has it shaped societies and influenced how people have expressed their identities? This is one of the most intriguing historical questions. Accelerated forces of economic and technological development — through cities, rural areas and globally — alongside state formation, urbanisation and profound artistic, religious and social transformations intertwined with new forms of knowledge and information, emerging sensibilities, ideas and compelling narratives about what defines a society.
 

Contact

Click HERE to mail Ulinka and HERE for a list of her publications.
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Mark Häberlein

Mark is a professor of early modern history at the University of Bamberg. His research focusses on the economic, social, urban and cultural history of the early modern period and on the history of North America and the Atlantic world. Mark holds a PhD from the University of Augsburg. He was Feodor Lynen Fellow at Pennsylvania State University in 1999-2000 and a DFG Heisenberg Fellow from 2001-2004. He has been a member of the Academia Europaea since 2022 and is chairman of the Gesellschaft für Globalgeschichte e.V.  
Mark joined global dis:connect as a shared fellow with Historisches Kolleg.
 
 

Transatlantic Entanglements: Central Europe and North America in the Long Eighteenth Century (c. 1683–1820)

The project deals with the intensifying relations between Central Europe and North America in the 18th century. More than 100,000 Germans and Swiss emigrated to the New World by 1800, and 30,000 German soldiers were deployed in the American War of Independence. By means of transatlantic migration, religious minorities and dissidents from Central Europe were ‘exported’ to North America. Secular networks of merchants, ship-owners and business travellers as well as religious communication and support networks developed. In addition, an independent German-American culture emerged in Pennsylvania.
  Have a look at Mark’s research poster about his project.  

Contact

Click HERE to mail Mark and HERE for a list of publications.
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Carlo De Nuzzo

Carlo is currently a research fellow at Sciences Po. His research interests include political violence and radicalism; the far right and neofascism; political terrorism in post-war Europe; the history of extremist ideologies, social movements, and the history of citizenship.   He also teaches at Sciences Po, where he teaches a course entitled The Far Right in Europe at the Nancy campus. He holds a PhD in political science from Sciences Po. Previously, he worked as a temporary lecturer and researcher at the University of Lille and as a teaching assistant at Sciences Po and the Università degli Studi di Milano.  
 

Transnationalisation of far-right intellectual circles in Europe from the 1980s to 2020

As a fellow at global dis:connect, Carlo is developing a project that explores how far-right intellectual circles developed transnational networks through the personal connections of militants, the circulation of ideas, and the analysis of events, from the 1980s to 2020 in Europe. This is a strongly interdisciplinary project that arises from integrating theories and methodologies from comparative politics and transnational history.
  Have a look at Carlo’s research poster about his project.  

Contact

Click HERE to mail Carlo and HERE for a list of his publications.
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Filipe dos Reis

Filipe is an assistant professor at the Department of International Relations and International Organization (IRIO) at the Faculty of Arts of the University of Groningen. Before joining IRIO, he worked at the University of Erfurt, where he also earned his PhD. His current research focuses on the history, theory and politics of international law, imperial Germany and maps. He has published widely on these topics and has co-edited two volumes: The Politics of Translation in International Relations (2021) and Mapping, Connectivity and the Making of European Empires (2021).  
 

Of Phantom Oceans and Mountain Ranges: Epistemic Authority, Cartographic Imaginaries and their Dis:connectivity Effects

At global dis:connect, Filipe is developing a project on phantom geographical features on 19th-century maps — a period when people considered themselves accurate and scientific. How was it possible that fictive mountain ranges and oceans appear on maps of that time? What kind of politics of knowledge was involved? What were the connective and disconnective effects of these phantom phenomena and how were they embedded in broader imaginaries about nature and society of the time? The project brings together discussions on global history and dis:connectivity, mapping and the sociology of knowledge.
  Have a look at Filipe’s research poster about his project.  

Contact

Click HERE to mail Filipe and HERE for a list of his publications.
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Hadeel Abdelhameed

Hadeel is a critical-theatre scholar and historian of SWANA countries. Her intellectual interest is theatre development as a mode of governance in Iraq. She worked as a senior research fellow and lecturer at Monash University, the University of Melbourne and the University of Baghdad. She has published in the Journal of Intercultural Studies and the Journal of Contemporary Iraq and the Arab World. As a fellow at gd:c, Hadeel will be working on her monograph, which examines how the confluence of global and transregional intellectual and artistic thought combined with state-building projects to form the glocal, Iraqi theatre-maker-citizen.  
 

Developing Theatre in Iraq: the (un)making of glocal Iraqi theatre makers Cultural Governance in Iraq from Al-Nahda to Neoliberal Age

Developing Theatre in Iraq outlines an innovative, empirically informed and theoretically driven conceptual model: the provisional glocal Iraqi theatre-maker-subject. This model captures the transnational history of Iraqi theatre, which has been determined by three major political and economic discourses: global and regional intellectual movements since the late-19th century, oil wealth since the early 20th century, and the creative economy since 2003. Grounded in governmentality theory, the book examines how the rise and fall of the glocal theatre-maker embodies the dispersed values of theatre in the educational and cultural policies designed to govern Iraq.
  Have a look at Hadeel’s research poster about her project.  

Contact

Click HERE to mail Hadeel and HERE for a list of her publications.
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