Festac ’77: navigating dis:connections in postcolonial pan-African festivals, legacy, and memory
gideon morison The year is 1977. Lagos, a bustling postcolonial city and the then-capital of ...
gideon morison The year is 1977. Lagos, a bustling postcolonial city and the then-capital of ...
sina steglich [Summary: Learn how the discovery of fossils and ancient bones shattered Christian chr...
claire louise blaser In 1937, British India issued a series of postage stamps featuring the n...
aliena guggenberger [Summary: Explore how fashion's nonlinear relationship with time — from fast-f...
susanne quitmann This series of blog posts explores how time – both as an idea and as a lived expe...
[Editor’s note: this post continues the series of interviews with our postdocs. For previous entri...
Ophelia Wach (the convener) Contraception is neatly structured along the lines of gender. The meteor...
Peter Seeland As a discipline, architecture is just starting to face critical postcolonial di...
[Editor's note: the fourth anniversary of the Russian invasion of Ukraine was last week. To recall t...
işıl eğrikavuk I arrived at global dis:connect as an artist fellow in the fall of 2025. Being an ...
Burcu Dogramaci, Director of global dis:connect, has co-edited the new special issue Fotogeschäfte....
[editor's note: the gd:c blog has been on hiatus for several months because life got in the way, but...
We are pleased to announce the publication of the new issue of static (4.1 | 2025), dedicated to the...
Burcu Doğramacı curates — together with Marta Smolińska — the exhibition “Sweet Homeland. G...
global dis:connect postdoctoral researcher Susanne Quitmann has been awarded the Prize of the German...
We are delighted to share that our former fellow Julian Warner (fellow 2024/25) has been appointed...
🎥 New interviews out now! Former fellows of global dis:connect share insights into their research...
We’re excited to announce the release of four new interview videos now available on our YouTube ch...