Festac ’77: navigating dis:connections in postcolonial pan-African festivals, legacy, and memory
gideon morison The year is 1977. Lagos, a bustling postcolonial city and the then-capital of ...
gideon morison The year is 1977. Lagos, a bustling postcolonial city and the then-capital of ...
[Editor's note: this is the third entry in our series on temporalities. Find the introduction here a...
How are dominant narratives about Africa produced, archived and challenged? The new special issue Cu...
claire louise blaser In 1937, British India issued a series of postage stamps featuring the n...
On 22 May 2026, the exhibition Tapetenwechsel – Migration und Mobiliar seit 1960 opens at the Muse...
On 7 May 2026, the lecture performance Touch Me, If You Can by Rebel-IST-hah! will be presented at T...
aliena guggenberger [Editor’s note: this is the first post in the blog series on temporalities...
susanne quitmann [Editor’s note: click here for the next post in the series] This serie...
Anchored in the research agenda of the Käte Hamburger Research Centre global dis:connect, a new pub...
On World Book Day, Burcu Dogramaci and Helene Roth present recent research on children’s and youth...
[Editor’s note: this post continues the series of interviews with our postdocs. For previous entri...
Our colleague Clemens Finkelstein will chair, together with Anny Li, the session “Surrogate Sites:...
Ophelia Wach (the convener) Contraception is neatly structured along the lines of gender. The meteor...
Christopher Balme reflects on the changing role of theatre institutions in times of perceived crisis...
Peter Seeland As a discipline, architecture is just starting to face critical postcolonial di...
On the 23rd anniversary of the US invasion of Iraq, this online seminar series revisits the countryâ...
The edited volume Nomadic Camera: Photography, Displacement and Dis:connectivities has been publishe...
[Editor's note: the fourth anniversary of the Russian invasion of Ukraine was last week. To recall t...