Alumna but not forgotten: an interview with Katarzyna Puzon
katarzyna puzon When were at global dis:connect, and what did you work on while here? I was b...
katarzyna puzon When were at global dis:connect, and what did you work on while here? I was b...
siddharth pandey Ask anyone in India to quickly draw a ‘scenery’, and most people would i...
gabriele klein Cultural globalisation since the 1990s would not have been possible without th...
chiara di carlo I want to show how pilgrimage to the Holy Land helped mitigate Europeans’ f...
andrea frohne Silenced V contains the front page of the newspaper Red Sea (ቀá‹áˆ• ባሕáˆ...
cathrine bublatzky and franziska windolf When we think of monuments, we think of statues, memories a...
christina brauner What were you working on during your time at global dis:connect? I was at global d...
[Scroll down for the complete script and an audio recording of the play as performed by the playwrig...
nikolai brandes[1] I first heard about Tanizaki last autumn in Rome, on a rainy day under the...
felix ehlers Slow time can lead to more meaningful work – Ananya Mishra, workshop attendee ...
christian steinau Making globalisation processes visible on the ground Globalisation affects ...
sophie eisenried From 13 June to 15 June 2023, a hybrid international workshop bearing the ti...
katharina wilkens Richard Wright, the African American journalist, former communist, strict s...
andrea e. frohne  Surveying a wheat field The setting for figure 1 is a wheat field in Osborne, Ka...
peter seeland A human skull opens its jaw. Maybe in an obscene laugh? Metal, cables and wire form it...
nadia von maltzahn Dear Tutu, Hello! How are you. At home your letter is hidden under a pile ...
burcu dogramaci In her work Die Bücher (2019/20, fig. 1 + 2), the artist Annette Kelm compil...
änne söll Two years after receiving her doctorate from the University of Munich in 1936, th...