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Past Fellows
Mark is a professor of early modern history at the University of Bamberg. His research focusses on the economic, social, urban and cultural history of the early modern period and on the history of North America and the Atlantic world. Mark holds a PhD from the University of Augsburg. He was Feodor Lynen Fellow at Pennsylvania State University in 1999-2000 and a DFG Heisenberg Fellow from 2001-2004. He has been a member of the Academia Europaea since 2022 and is chairman of the Gesellschaft für Globalgeschichte e.V.
Mark joined global dis:connect as a shared fellow with Historisches Kolleg.
Have a look at Mark’s research poster about his project.
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Mark Häberlein
Mark is a professor of early modern history at the University of Bamberg. His research focusses on the economic, social, urban and cultural history of the early modern period and on the history of North America and the Atlantic world. Mark holds a PhD from the University of Augsburg. He was Feodor Lynen Fellow at Pennsylvania State University in 1999-2000 and a DFG Heisenberg Fellow from 2001-2004. He has been a member of the Academia Europaea since 2022 and is chairman of the Gesellschaft für Globalgeschichte e.V.
Transatlantic Entanglements: Central Europe and North America in the Long Eighteenth Century (c. 1683–1820)
The project deals with the intensifying relations between Central Europe and North America in the 18th century. More than 100,000 Germans and Swiss emigrated to the New World by 1800, and 30,000 German soldiers were deployed in the American War of Independence. By means of transatlantic migration, religious minorities and dissidents from Central Europe were ‘exported’ to North America. Secular networks of merchants, ship-owners and business travellers as well as religious communication and support networks developed. In addition, an independent German-American culture emerged in Pennsylvania.Contact
1 September 2025

Frances is an associate professor of history at the University of Otago. She has published widely on colonial networks, oceanic mobilities and transnational labour cultures in the Pacific, with a particular focus on the age of steam. Her books include Oceania under Steam: Sea Transport and the Cultures of Colonialism and the co-authored Colonialism and Male Domestic Service across the Asia Pacific. She also edited New Zealand and the Sea: Historical Perspectives. Her research has been supported by the Australian Research Council and the National Library of Australia.
Gerald is a professor of applied theatre studies at the Justus-Liebig University in Giessen. He studied theatre, English and French literature at the Goethe University in Frankfurt, where he also obtained his PhD with a thesis on theatre as memory. His research focuses on forms of contemporary theatre, dance, performance, aesthetics, theories of memory and the intermediality of theatre in relation to the visual arts. Gerald has published more than 100 articles on contemporary dance and theatre performance. His most recent book bore the title Theater- und Tanzperformance zur Einführung.
Ulrike is a professor of modern history at the University of Cologne. She has held visiting positions at Cambridge, the EUI Florence and Science Po Paris. Her research interests lie in comparative, colonial and global history. She has worked on the comparative history of European empires, particularly British and German colonies in Africa, issues of knowledge transfer between empires and postcolonial themes. More recently, she has dealt with questions of bonded labour and the histories of plantation.
Andrea is a lecturer and researcher at the Department of History, University of Dar es Salaam, Tanzania. Kifyasi specialises in medical history and is interested in China’s medical aid to post-colonial African countries and medical diplomacy. He earned his PhD at the Department of History, University of Basel, in 2021.
Aglaya is Associate Professor in the History of Art Department at UC Berkeley. Her research focuses on European and Soviet modern art. She is the author Aleksandr Rodchenko: Photography in the Time of Stalin (Yale University Press, 2022), which received Modernist Studies Association’s 2023 First Book Prize. Her research has been supported by the Berlin Prize of the American Academy in Berlin, the University of California President’s Fellowship in the Humanities, the Canadian Center for Architecture, and the ACLS, among others.
Arnika is an interdisciplinary scholar of Thailand working at the intersections of the country’s aesthetic and political modernities. She is the author of Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema and Teardrops of Time: Buddhist Aesthetics in the Poetry of Angkarn Kallayanapong. She is currently a professor of Asian Studies and Comparative Literature at Cornell University.
Christof is professor in modern history at the University of Bern, Switzerland. Before coming to Bern he held temporary professorships at Freiburg i. Br., Konstanz, Basel and the FU Berlin and was a Marie Curie Fellow at the University of Cambridge (2013-2015). His field of expertise include European history, global history and social and economic history. He is the author of, among others, Commodity Trading, Globalization and the Colonial World (2018) and co-editor of The Global Bourgeoisie (2019) and, recently, a special issue of the Historical Journal on Global Social History.
Claudia studied Art History at the Ludwig-Maximilians-Universität in Munich and earned her PhD from the Technische Universität Berlin. She has worked as a lecturer of art history, and as an independent researcher and curator in Bogotá and has held fellowships, among others, at the documenta archiv in Kassel and, at the Leibniz Universität in Hannover. Her research interests and publications focus on garden history, modern art, and the intersection of migration, exile and art from the late 19th to the middle of the 20th century.
Shane is a senior lecturer in the School of English and Drama at Queen Mary University of London. His research focuses on logistics, Marxism, and performance history. He has published widely on the political economy of art, including the book The Arts of Logistics: Artistic Production in Supply Chain Capitalism (Stanford University Press 2024). Shane holds a PhD in performance studies from UC Berkeley and co-edited Postdramatic Theatre and Form (Bloomsbury 2019). He is also a member of the Performance and Political Economy research collective.