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Past Fellows 2022
During his fellowship at global dis:connect, Sujit focused on the long history of Colombo. He is interested in the challenges of building a city such as this, at the centre of the Indian Ocean, in a marshy terrain, and the labour and community formation that met such an environmental challenge. He developed his perspective on connection as an unstable practice, especially when tied to capitalism and empire, because of its potential to segment and divide places and people. He is also interested in the art and visual practice surrounding this city and what it tells us of how globalisation is visualised and propagandised.
Find out more about the workshop Sujit organized during his fellowship together with David Armitage and Roland Wenzlhuemer.
Please click HERE to watch an Interview with Sujit.
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Sujit Sivasundaram
Sujit has taken a circuitous path to his current post as professor of world history and director of the centre of South Asian studies in Cambridge. Bouncing between the Asia-Pacific region and Europe, he has left his mark on imperial history, oceanic history, cultural history, and the history of science. This path has taken him through the LSE, the EHESS in Paris, the Universities of Singapore and Sydney, and the National Maritime Museum in Greenwich.
History of Colombo
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11 March 2025
Martin studies modern German, European and African history, particularly the social history of cultural work as well as the history of colonialism, decolonisation and development. Transnational and global perspectives are at the heart of his research. Martin’s career path has led him through stints in Berlin, Strasbourg, Heidelberg, Vanderbilt University in Nashville, Freiburg, Paris and Konstanz.
Enis is one of Europe’s most striking polyartists. She is the author of the essay collection Eiscafé Europa and a series of plays. Most recently, the collaboration Ein faszinierender Plan (Spector 2021) and the play WUNDER (Suhrkamp 2021) were published. In 2022, the play Kamilo Beach, co-written with Pascal Richmann, premiered at the Volksbühne am Rosa-Luxemburg-Platz. This will be followed by the world premiere of LORBEER at Schauspiel Stuttgart. Her work has received several awards, most recently the Max Frisch Förderpreis. In 2022 Enis was a fellow of global dis:connect and also a fellow of the Villa Aurora in Los Angeles.
Sabine combines her passion for travel and dance with sophisticated, philosophically informed theories derived from critical theory, philosophy, sociology, and theatre. Through sojourns in Mainz, Aberystwyth, London, and Jamaica, Sabine has published on performance, post-colonial politics, global culture, and the social power implicated in various gazes.
Änne’s work focuses on the art of the 20th and 21st centuries, particularly on aspects of gender, mainly masculinities. Other areas of interest are period rooms, magazines, photography, video installations and the art of the Weimar Republik, specifically the Neue Sachlichkeit (New Objectivity).
Christina’s research on cross-cultural diplomacy in West Africa, (dis)entanglement, translation, narratives of misunderstanding, and the history of religion has exposed her to the distinct academic cultures in Münster, Bielefeld, Berlin, London, Princeton, and her current academic home in Tubingen. Her work in global history is informed by a strong interest in theory and historical methodology, with a particular focus on the inescapable concepts of time and temporality.
Callie studies the dramatic expansion of the British Empire in the eighteenth and nineteenth centuries and its sociocultural impact at home and abroad. In previous research projects conducted at Cambridge and the University of Warwick, she has examined how the idea of indirect rule was contested within the British East India Company as well as the contemporary debates on the extent to which information about the Company should be disseminated to the public.