Lachlan Fleetwood
Lachlan is historian of science, empire, geography and the environment. He completed a PhD at Cambridge and subsequently held fellowships at University College Dublin and Yale. He comes to LMU as a Marie Skłodowska-Curie fellow. His work focuses on the uneven imposition of ostensibly global environmental categories by empires in the long nineteenth century. His research also investigates how geographical features like mountains and deserts can serve as scales for new global histories of science, empire and labour. His first book, Science on the Roof of the World: Empire and the Remaking of the Himalaya, was published by Cambridge University Press in 2022.
Imperial science and the habitability of Central Asia and Mesopotamia, 1815-1914: a history of the societal consequences of changing limits
At global dis:connect, Lachlan is completing a project titled Imperial science and the habitability of Central Asia and Mesopotamia, 1815-1914: a history of the societal consequences of changing limits. This history of environmental sciences examines ideas of habitability, uninhabitability and climatic determinism in relation to empire, and it traces their postcolonial legacies in the age of climate crisis. Have a look at Lachlan’s research poster about his project and find out more about the workshop Lachlan organized during his fellowship. Please click HERE to watch an interview with Lachlan.Contact
Click HERE to mail Lachlan.


Peter is a professor of Austrian History in Vienna. Before joining the University of Vienna, he was a professor in European History at the EUI in Florence. His research covers criminology as discourse and institutional practice, state building, governance and public administration, with a focus on the interplay between regional and national actor networks, global policy formation and international organisations: Remaking Central Europe (2020), edited with N. Wheatly in 2020 and A World of Contradictions: Globalization and Deglobalization in Interwar Europe (2023), ed. with T. Zahra.
Wojciech is an art historian and critic, independent curator and assistant professor at the University of Warsaw. He has authored The Argonauts: Postminimalism and Art After Modernism: Eva Hesse – Felix Gonzalez-Torres – Roni Horn – Derek Jarman (2015; in Polish) and several dozen articles and edited numerous exhibition catalogues along with the journal Ikonotheka. Wojciech has led a number of Polish and international research projects and Małgorzata Mirga-Tas’s exhibition Re-enchanting the World in the Polish Pavilion at the 59th Biennale Arte in Venice (2022).
Camille is a professor of art history at Southern Connecticut State University. She received her doctorate in art history from Yale in 1997, where she focused on images of medieval Paris. Since then, her research has focused primarily on the relationship between painting and mapmaking in late medieval and early modern Europe, with particular attention to the ways that artistic techniques and practices both enhanced and undermined the authority of cartography. The links between cartography and painting in 16th century France are also the subject of her recently completed book manuscript.
Günther is a political scientist and historian. He works as a research fellow at the Institute Vienna Circle (University of Vienna) and teaches civic education extramurally. His research includes the history of logical empiricism and Isotype. His recent publications include Weltsprache ohne Worte. Rudolf Modley, Margaret Mead und das Glyphs-Projekt (2022); Logical Empiricism, Life Reform and the German Youth Movement (ed. with Christian Damböck and Meike Werner. 2022); and History and Legacy of Isotype (with Christopher Burke, forthcoming 2023).
Sabrina is a researcher and curator from Brazil. She holds a Ph.D. in art history from the University of Campinas. She authored Arqueologia da Criação [Archeology of Creation, 2022] — a book on the work of Brazilian artist Rossini Perez — and edited Southern Panoramas: Perspectives for other geographies of thought (2015), which presents historical and artistic perspectives on the Global South. Her work has featured in Mousse Magazine, Zeitschrift für Kulturwissenschaften, Stedelijk Studies Journal, African Art, Critical Internventions, 3rd Text Africa, among others.

Ayala is an associate professor of architectural history at the University of California, Los Angeles. Ayala specialises in architecture and urban planning in postcolonial African states with interest in the production of architectural knowledge as part of north-south or south-south exchange. She authored Architecture and Development: Israeli Construction in Sub Saharan Africa and the Settler Colonial Imagination (Duke University Press 2022), and she co-edited Architecture in Development: Systems and the Emergence of the Global South (Routledge 2022).
Nic is a theatre scholar and writer commenting on global theatre history; media, popular and visual cultures; and archiving and curating theatrical history. She has served as a senior researcher and fellow in multiple projects. Her latest monograph, Theatre Across Oceans. Mediators of Transatlantic Exchange (1890-1925), was published in 2021. She edits Global Theatre Histories and created the theatre history podcast Theatrescapes.