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Lachlan Fleetwood

Lachlan is historian of science, empire, geography and the environment. He completed a PhD at Cambridge and subsequently held fellowships at University College Dublin and Yale. He comes to LMU as a Marie Skłodowska-Curie fellow. His work focuses on the uneven imposition of ostensibly global environmental categories by empires in the long nineteenth century. His research also investigates how geographical features like mountains and deserts can serve as scales for new global histories of science, empire and labour. His first book, Science on the Roof of the World: Empire and the Remaking of the Himalaya, was published by Cambridge University Press in 2022.  
Lachlan joined global dis:connect as a MSCA fellow funded by the ERC.
 

Imperial science and the habitability of Central Asia and Mesopotamia, 1815-1914: a history of the societal consequences of changing limits

At global dis:connect, Lachlan is completing a project titled Imperial science and the habitability of Central Asia and Mesopotamia, 1815-1914: a history of the societal consequences of changing limits. This history of environmental sciences examines ideas of habitability, uninhabitability and climatic determinism in relation to empire, and it traces their postcolonial legacies in the age of climate crisis. Have a look at Lachlan’s research poster about his project and find out more about the workshop Lachlan organized during his fellowship. Please click HERE to watch an interview with Lachlan.
 

Contact

 

Click HERE to mail Lachlan.

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Peter Becker

Peter is a professor of Austrian History in Vienna. Before joining the University of Vienna, he was a professor in European History at the EUI in Florence. His research covers criminology as discourse and institutional practice, state building, governance and public administration, with a focus on the interplay between regional and national actor networks, global policy formation and international organisations: Remaking Central Europe (2020), edited with N. Wheatly in 2020 and A World of Contradictions: Globalization and Deglobalization in Interwar Europe (2023), ed. with T. Zahra.  
Peter joined global dis:connect funded by the Munich Centre for Global History.
 

The Role of the State in Global Crisis Management

Recent crises have brought the role of states into focus. The state’s scope of action has expanded, even though states are less sovereign than reliant on engagement with international organizations and collaboration with national and regional interest groups in these crises. My project uses these observations for a history of crisis management by modern states in a complex multi-level system, in which international state and non-state actors act together with governments of individual states, their expert committees, and local and regional networks of actors. I begin looking at the transformation crisis after the Great War and how the League responded to it.

 

Contact

 

Click HERE to mail Peter and HERE for a list of his publications.

 
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Wojciech Szymański

Wojciech is an art historian and critic, independent curator and assistant professor at the University of Warsaw. He has authored The Argonauts: Postminimalism and Art After Modernism: Eva Hesse – Felix Gonzalez-Torres – Roni Horn – Derek Jarman (2015; in Polish) and several dozen articles and edited numerous exhibition catalogues along with the journal Ikonotheka. Wojciech has led a number of Polish and international research projects and Małgorzata Mirga-Tas’s exhibition Re-enchanting the World in the Polish Pavilion at the 59th Biennale Arte in Venice (2022).  
Wojciech joined global dis:connect as an artist fellow.

History of Art/History of Violence: From the Belle Époque to the Genocid

Edouard Manet’s lost painting Les Bohemiens (1862) provides an insight into the relationship between non-Roma artists or bohemians and members of Roma communities in the second half of the 19th century. The first aim of the project is to investigate the relationships between Roma subjects and non-Roma artists in Paris, to restore the visibility and identity of the Roma in relation to contemporary Munich-based art. The second issue is the Roma and Sinti Holocaust. The overarching goal is to look at Roma–non-Roma relations in Munich in the first half of the 20th century, when anti-Roma politics and discrimination grew, ultimately leading to their extermination.

 

Have a look at Wojciech's research poster about his project, on which he worked together with Małgorzata Mirga-Tas. The two of them also attended an artist talk at global dis:connect.

 

Contact

Click HERE to mail Wojciech and HERE for a list of his publications.  
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Camille Serchuk

Camille is a professor of art history at Southern Connecticut State University. She received her doctorate in art history from Yale in 1997, where she focused on images of medieval Paris. Since then, her research has focused primarily on the relationship between painting and mapmaking in late medieval and early modern Europe, with particular attention to the ways that artistic techniques and practices both enhanced and undermined the authority of cartography. The links between cartography and painting in 16th century France are also the subject of her recently completed book manuscript.

Border Control: Cartography and its Frames in Early Modernity, 1500-1650

Her project explores how frames and border motifs animate early modern cartography and provide an interpretive lens for the mutable image of the world. Because knowledge of geography and sovereign boundaries were constantly in flux, frames enhanced the authority of maps that were almost immediately made obsolete by new exploration or conflict. As a new appraisal of the assertive role of the cartographic frame, the project will recuperate the agency of cartographic ornament, enhancing the legibility of early modern maps. Have a look at Camille's research poster about her project.

Contact

Click HERE to mail Camille and HERE for a list of her publications.  
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Günther Sandner

Günther is a political scientist and historian. He works as a research fellow at the Institute Vienna Circle (University of Vienna) and teaches civic education extramurally. His research includes the history of logical empiricism and Isotype. His recent publications include Weltsprache ohne Worte. Rudolf Modley, Margaret Mead und das Glyphs-Projekt (2022); Logical Empiricism, Life Reform and the German Youth Movement (ed. with Christian Damböck and Meike Werner. 2022); and History and Legacy of Isotype (with Christopher Burke, forthcoming 2023).

Following Isotype: visual languages and universal symbols in the decades after 1945

Günther’s project deals with projects that aimed to overcome the active absence of a universal language and to establish one with the help of pictures, graphics, symbols and pictograms. Its focus is on the 1950s and 1960s. Three visual language models that interacted with each other to varying degrees are examined as examples: Marie Neurath’s Isotype (after Otto Neurath’s death), Margaret Mead’s and Rudolf Modley’s Glyphs and Charles Bliss’ Semantography. Have a look at Günthers's research poster about his project and find out more about the workshop Günther organized during his fellowship. Please click HERE to watch an interview with Günther.

Contact

Click HERE to mail Günther and HERE for a list of his publications.  
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Sabrina Moura

Sabrina is a researcher and curator from Brazil. She holds a Ph.D. in art history from the University of Campinas. She authored Arqueologia da Criação [Archeology of Creation, 2022] — a book on the work of Brazilian artist Rossini Perez — and edited Southern Panoramas: Perspectives for other geographies of thought (2015), which presents historical and artistic perspectives on the Global South. Her work has featured in Mousse Magazine, Zeitschrift für Kulturwissenschaften, Stedelijk Studies Journal, African Art, Critical Internventions, 3rd Text Africa, among others.

Travelling Back: reframing a Munich expedition to Brazil in the 19th century

At global dis:connect, Sabrina is developing a project that deals with contemporary visual and performative strategies focused on the restitution of absent agencies in the history of the natural sciences. This research analyses museological and display policies around collections that were gathered during 19th-century expeditions of exploration and are held in Munich institutions, integrating decolonial theories, exhibition histories and museum studies. Have a look at Sabrina's research poster about her project and find out more about the exhibition Sabrina curated during her fellowship at the Zentralinstitut für Kunstgeschichte. Please click HERE to watch an interview with Sabrina.

Contact

Click HERE to mail Sabrina and HERE for a list of her publications.  
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David Motadel

David is an associate professor of international history at the LSE. A former Gates Scholar at Cambridge, he has held visiting positions at Harvard, Yale, Oxford, Sciences Po and the Sorbonne. His articles have been published in numerous academic journals, including Past & PresentThe American Historical Review and the Annales. His reviews and essays on current affairs have appeared in The New York Times, The Guardian, The New York Review of Books, The London Review of Books and The Times Literary Supplement, among others. He is a Fellow of the Royal Historical Society.

 

Global War: Europe’s Empires, 1935-1948

During his year at gd:c, David is working on a global history of Europe’s empires around the Second World War, 1935-1948, exploring the history of the war in the imperial world, its impact on colonial subjects; the history of the colonial soldiers who fought in Europe’s armies; the history of anti-colonial movements during the war, from the Viet Minh to the Quit India movement; and the war’s impact on the end of empire and twentieth-century world order. Drawing on multilingual literature and sources from five continents, the book provides a truly global view of the most cataclysmic conflict in human history.

 

Have a look at David's research poster about his project.

 

Contact

Click HERE to mail David and HERE for a list of his publications.  
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Małgorzata Mirga-Tas

The work of Romani artist, educator, and activist Małgorzata Mirga-Tas (b. 1978, Zakopane) addresses anti-Roma stereotypes and engages in building an affirmative iconography of Roma communities. Her art depicts everyday life: relationships, alliances, and shared activities. Mirga-Tas’s vibrant textile collages are created from materials and fabrics collected from family and friends, imbuing them with a life of their own and a corresponding immediacy. Textiles made of curtains, jewellery, shirts, and sheets are sewn together to form ‘microcarriers’ of history, with the resulting images revising macro perspectives. Her vibrant works offer a rare opportunity to see the Roma on their own terms, both as a contemporary community and as a people with a rich heritage.Mirga-Tas’s portrayals adopt the perspective of ‘minority feminism’, consciously advocating for women’s strength while acknowledging the artist’s cultural roots. She was the official Polish representative at the 59th Venice Biennale in 2022, the first Roma artist to represent any country. She graduated from the Faculty of Sculpture at the Academy of Fine Arts in Cracow in 2004. Her works have been presented in numerous solo and group exhibitions, including: Tate St. Ives (2024), Bonnefanten (2024), Centro Andaluz de Arte Contemporáneo (2023-2024), Kortrijk Triennial (2024), Barbican (2023), Brücke Museum (2023), 14th Gwangju Biennale (2023), Göteborgs Konsthall (2023), documenta15 (2022), International Cultural Center in Krakow (2022), Guangzhou Triennale in China (2022), 11th Berlin Biennale (2020), Art Encounters Biennale in Timișoara (2019, 2021), 3rd Autostrada Biennale in Prizren (2021), Moravian Gallery in Brno (2017), Polish Sculpture Center in Oronsko (2020), and the Museum of Modern Art in Warsaw (2020). She lives and works in Czarna Góra.
Małgorzata joined global dis:connect as an artist fellow.

History of Art/History of Violence: From the Belle Époque to the Genocid

Edouard Manet’s lost painting Les Bohemiens (1862) provides an insight into the relationship between non-Roma artists or bohemians and members of Roma communities in the second half of the 19th century. The first aim of the project is to investigate the relationships between Roma subjects and non-Roma artists in Paris, to restore the visibility and identity of the Roma in relation to contemporary Munich-based art. The second issue is the Roma and Sinti Holocaust. The overarching goal is to look at Roma–non-Roma relations in Munich in the first half of the 20th century, when anti-Roma politics and discrimination grew, ultimately leading to their extermination.   Have a look at Małgorzata's research poster about her project, on which she worked together with Wojciech Szymański. The two of them also attended an artist talk at global dis:connect.

Contact

Click HERE to mail Małgorzata and HERE for a list of her works.
 
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Ayala Levin

Ayala is an associate professor of architectural history at the University of California, Los Angeles. Ayala specialises in architecture and urban planning in postcolonial African states with interest in the production of architectural knowledge as part of north-south or south-south exchange. She authored Architecture and Development: Israeli Construction in Sub Saharan Africa and the Settler Colonial Imagination (Duke University Press 2022), and she co-edited Architecture in Development: Systems and the Emergence of the Global South (Routledge 2022).

 

The Global Project of Rurality: American Planning in Africa in 1950s-1980s

At global dis:connect, Ayala will research how U.S. planners sought to reorganise rural spaces in post-independence African states to curb urban migration. This project reframes conventional accounts of Third World urbanisation by directing attention to the entangled phenomenon of ruralisation, namely the modernisation of the countryside. It asks how the countryside was physically transformed to elevate standards of living, and how this transformation was employed to eradicate colonial precepts that associated modernity and social mobility exclusively with the city.

 

Have a look at Ayala's research poster about her project.

 

Contact

Click HERE to mail Ayala and HERE for a list of her publications.  
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Nic Leonhardt

Nic is a theatre scholar and writer commenting on global theatre history; media, popular and visual cultures; and archiving and curating theatrical history. She has served as a senior researcher and fellow in multiple projects. Her latest monograph, Theatre Across Oceans. Mediators of Transatlantic Exchange (1890-1925), was published in 2021. She edits Global Theatre Histories and created the theatre history podcast Theatrescapes.

 

Nic is co-president of SIBMAS. Together with artist Reza Nassrollahi, she runs the global art and charity project 1001SOUL.

 

Disconnections, Detours, Re-Directions: Challenges of the Theatrical Business During World War I

At global dis:connect, Nic will address the challenges of global theatre histories and the difficulties in understanding and writing a globally interconnected history of the performing arts. She will interrogate the gap between global and entangled histories, which are both shared and divided. This project invokes connections, disconnections and detours extending across research, knowledge transfer, methodology and epistemology. Her research will cover two case studies on female theatre practitioners and networks in Europe and the USA (early 20th century) and in Iran (1940s and 1950s).  
Have a look at Nic's research poster about her project and find out more about the workshop Nic organized during her fellowship.
 

Contact

Click HERE to mail Nic and HERE for a list of her publications.  
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