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Michael Goebel

Michael Goebel is the Einstein Professor of Global History and co-director of the Frankreich-Zentrum at Freie Universität Berlin. He earned his Ph.D. from University College London (2006) and in 2018–21 was the Pierre du Bois Chair Europe and the World at the Geneva Graduate Institute. Originally an intellectual historian of Latin America, his 2015 book Anti-Imperial Metropolis awakened a growing interest in urban history and, more recently, social and economic history. He is currently the principal investigator of the SNSF-funded project Patchwork Cities.
 

Neighbors Apart: Globalization and Ethnic Segregation in Latin American and Southeast Asian Port Cities, 1820–1930

During his fellowship at gd:c, he’s investigating the interrelationship between globalisation and inequality in Latin American and Southeast Asian port cities, particularly in the late-nineteenth century. His key interest is how the global development of capitalism and imperialism intersected with local socio-economic transformations in urban space, focusing on the interplay between ethnicity, migration and real-estate markets. His research thus connects to scholarship about segregation, but seeks to expand its purview beyond its customary focus on the North Atlantic.  
Have a look at Michael's research poster about his project and find out more about the workshop Michael organized during his fellowship together with Roii Ball.   Please click HERE to watch an interview with Michael.
 

Contact

Click HERE to mail Michael and HERE for a list of his publications.  
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Joël Glasman

Joël Glasman focuses on West and Central Africa in the 20th century, particularly colonialism, governmentality, humanitarianism and the production of power as framed by praxis theory and science and technology studies. His publications inquire into social classifications produced by state institutions, international governmentality and private corporations. He further engages with the theory of global history, global norms and colonialism. His last book, Les humanités humanitaires. Manuel d’autodéfense à l’usage des volontaires (2023), reflects on the practical use of the humanities.
 

Dirty little secrets. Discard labour and the active absence of pollution in the Empire of Waste (French West Africa, 1940-1960)

Joël’s project, Empire of waste, looks at imperialism as a regime of waste built on material exploitation and racial inequalities. Immobilisation, hiding and destruction of waste played a crucial role in imperial domination, as indicated by recent research on toxicity, waste dumping and radioactivity in Africa. It investigates two faces of the ‘Empire of Waste’. First, it analyses French corporate strategies of externalisation of waste and pollution. Second, it scrutinises forms of discard labour used by colonial corporations: forced labour, corvée, prison labour, wage labour, informal labour and child labour.
 
Click HERE to watch an interview with Joël.  

Contact

Click HERE to mail Joël and HERE for a list of his publications.  
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Elizabeth DeLoughrey

Elizabeth DeLoughrey is a professor at UCLA. She authored Routes and Roots: Navigating Caribbean and Pacific Literatures, and Allegories of the Anthropocene andco-edited Caribbean Literature and the Environment: Between Nature and CulturePostcolonial Ecologies: Literatures of the Environment; and Global Ecologies and the Environmental Humanities: Postcolonial Approaches in addition to numerous journal issues on critical ocean, island and militarism studies. Her scholarship has been supported by the Rockefeller Foundation, the Andrew W. Mellon Foundation, Fulbright New Zealand, the Rachel Carson Center and the John Simon Guggenheim Foundation.
 

Submarine Futures: Cold War Aesthetics and its Afterlives

During her fellowship at the gd:c, Elizabeth will be working on a book project entitled Submarine Futures: Cold War Aesthetics and its Afterlives, which examines the deep seas as a vital frontier for Cold War militarism and a cultural and aesthetic space for contemporary art from the global South. More specifically, she will be writing about the International Seabed Authority and its configuration of deep-sea polymetallic nodules as figures of non-life, placing these discourses in conversation with indigenous ontologies of the ocean and its inhabitants.
 
Have a look at Liz’s research poster about her project.  

Contact

Click HERE to mail Liz and HERE for a list of her publications.  
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Cathrine Bublatzky

Cathrine Bublatzky is a media anthropologist and senior lecturer at the University of Tübingen. She researches diaspora and exile, archives, visual and digital media cultures, photography, art, activism, and the aesthetics and politics of belonging throughout Europe, South Asia and the Middle East. Cathrine authored Along the Indian Highway: An Ethnography of an International Travelling Exhibition, a monograph published by Routledge. Her project Contemporary Photography as Cultural Praxis of Iranians in the European Diaspora, which she will continue at global dis:connect, was awarded a scholarship by the Baden-Württemberg Foundation.
 

INTER:rupt:ed - Photographs as signs of time. Searching for traces from exile

During her fellowship at global dis:connect, Cathrine will research a private archive of personal and political photographs from 20th-century Iranian exiles. Assuming that photographs are mobile, constantly connecting and disconnecting times, places and people, Cathrine is concerned with politically sensitive photographs from the archive of an Iranian exiled artist and activist, and the questions of why and how photography functions as a central medium for global communication, information and memory processes as well as identification and belonging in the exiles’ everyday. She inquires how archives and photography contain traces of time and belonging for their audiences in and beyond exile as a cultural field of simultaneously dis:connective and interruptive social interactions.  
Read more about the workshop and the open exhibition lab Cathrine organized during her fellowship.
  Click HERE to watch an artist talk between Cathrine and Parastou Forouhar at the gd:c annual conference 2022.

Contact

Click HERE to mail Cathrine and HERE for a list of her publications.  
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Roii Ball

Roii Ball is a social historian of 19th and 20th-century Germany and Central Europe and their colonial entanglements. He is a postdoctoral lead researcher at the Religion and Politics Cluster of Excellence at the University of Münster. Ball earned his PhD from the University of California, Los Angeles in 2021 with a dissertation on the social dynamics and bureaucratic practices of German colonisation in the Polish provinces of Prussia before WWI (Advisor: David Sabean).
 

Familial Interruptions: Inheritance Practices and the Making of Transnational Farmer Families across Germany’s Imperial Frontiers, 1860s-1920s

Roii’s work focuses on family and kinship to explore histories of colonisation and their intersection with empire-making and nation-making. His research interests include the history of knowledge, history of childhood, environmental history, and digital history. He has held fellowships at the University of Cologne, the German Historical Institute in Warsaw, and the Leibnitz Institute for European History in Mainz.  
Have a look at Roii's research poster about his project and find out more about the workshop Roii organized during his fellowship together with Michael Goebel.  

Contact

Click HERE to mail Roii and HERE for a list of his publications.  
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Ifeoluwa Aboluwade

Ifeoluwa Aboluwade is a literary scholar with a background in imperial and literary history, early modern English theatre, critical digital humanities, (trans)cultural translation and adaptation, black diaspora studies, postcolonial literary criticism, and gender and intersectionality. She works at the Africa Multiple Cluster of Excellence and is a lecturer at the University of Bayreuth. Ifeoluwa has received many international awards and fellowships, such as Fulbright and DAAD scholarships, most recently receiving the Shakespeare Association of America-Folger Shakespeare Library Short Term Fellowship (2022/2023).
 

Warriors and Tricksters: A Transcultural Study of Shakespearean Drama and Selected West African Narratives

At gd:c, Ifeoluwa is investigating the histories, patterns and genealogies (dis)connecting Shakespearean drama and early modern West Africa through the topoi of the trickster and warrior. Drawing on diverse texts, the project shows that comparing tricksters and warriors across both literary cultures engenders a deeper understanding of their historical and ongoing entanglements, recasting the significations and transcultural spectres that haunt Shakespeare. It will also illuminate the tension between absence and presence of early modern English performances, especially in terms of race, gender, and class.
 

Contact

Click HERE to mail Ife and HERE for a list of her publications.  
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Julian Warner

Julian Warner is an artist and curator. He is the current artistic director of the Brechtfestival Augsburg and a performer and musician going by the stage name of Fehler Kuti. He is the editor of an anthology on questions regarding decolonial critique in Germany After Europe. Beiträge zur dekolonialen Kritik (Verbrecher Verlag, 2021) and was a visiting professor for dramaturgy at the Karlsruhe University of Arts and Design in 2022-23. Julian joined global dis:connect as an artist fellow.        

The curator as an ethnographer

During his fellowship at global dis:connect, Julian will critically reflect on his curatorial practice, which positions itself at the intersection of globally circulating symbolic goods and locally specific contexts. Which contradictions and conflicts arise when international artists and projects engage with local institutions, audiences, and struggles? How may we further our understanding of such overdetermined constellations?

 

Find out more about the workshop Julian organized before his fellowship at the Brechtfestival.

 

Contact

Click HERE to mail Julian and HERE for more info on his work.   Continue Reading

Yolanda Gutiérrez

Born in Mexico City and living in Hamburg, Yolanda Gutiérrez is a choreographer, video artist, curator and producer whose projects have appeared in a number of international festivals. She has worked with dancers, actors, wrestlers, musicians, DJs, composers, laypeople, children, costume designers and set designers throughout Europe, Asia, Latin America, the USA and Africa. Since 2017, she has choreographed the URBAN BODIES PROJECT and DECOLONYCITIES, consisting of decolonising audio walks with dance interventions.   Yolanda joined global dis:connect as an artist fellow.
 

Urban Bodies Project Munich

Continuing her investigations into the connections between colonial pasts, architecture and the body, her work at global dis:connect, comprises three modules: a research phase, a period of reflection and a concluding project in Munich. Gutiérrez is looking forward to having the time to reflect and write about her five-year journey of dance interventions in urban spaces.  

Contact

Click HERE to mail Yolanda and HERE for a list of her works.
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gd:c congratulates Alumna Yolanda Gutiérrez on receiving the ZEIT STIFTUNG BUCERIUS Performing Arts Scholarship

We congratulate our alumna Yolanda Gutiérrez on receiving the 2025 Performing Arts Scholarship from the ZEIT STIFTUNG BUCERIUS. This prestigious scholarship supports artistic projects that explore the theme of "freedom" in response to today’s global challenges. You can find more information (in German) HERE. Yolanda’s work exemplifies the power of the arts to question, reflect, and reimagine freedom. Her selection for this scholarship is a testament to her impactful artistic vision and dedication. Learn more about her work on her website or her project during her fellowship at global dis:connect in our global dis:connect podcast! Continue Reading

Welcome Julian Warner, and Hello to the Brecht Festival 2025!

We're thrilled to welcome back Julian Warner, director of the Brecht Festival, who will be a fellow again at global dis:connect starting in March. We're also getting ready for another exciting Brecht Festival, featuring a workshop with our Research Centre!   During his fellowship at global dis:connect, Julian will critically reflect on his curatorial practice, which positions itself at the intersection of globally circulating symbolic goods and locally specific contexts. Which contradictions and conflicts arise when international artists and projects engage with local institutions, audiences, and struggles? How may we further our understanding of such overdetermined constellations?   About the Festival: The 2025 Brecht Festival explores "The Great Method," a key concept from Brecht's theoretical writings that has guided Warner's work since 2023. This approach goes beyond mere aesthetic observation to reveal social structures and their potential for change. The festival aims to move from Brecht's thinking to action, forging alliances with civil society groups who will actively contribute to the artistic program. Warner's vision for the festival is multifaceted and experimental, creating a vibrant space for diverse voices and stories to intersect.   Learn More: Discover the full program, participating artists, venues, and ticketing information HERE.   Continue Reading