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David Armitage

David is the Lloyd C. Blankfein Professor of History at Harvard University, where he teaches intellectual history and international history. David was born in Britain and educated at the University of Cambridge and Princeton University. Before moving to Harvard in 2004, he taught for 11 years at Columbia University. A prize-winning teacher and writer, he has lectured on six continents and has held research fellowships and visiting positions in Australia, Britain, China, France, Germany, South Korea and the United States.   David joined global dis:connect funded by the Munich Centre for Global History.  
 

Project

While attached to global dis:connect, David worked on three major projects. The first is a new global history of treaty-making and treaty-breaking since the 17th century, on which he lectured at the University of Erlangen-Nürnberg during his visit. The second is a set of essays on opera and international law, which the offerings of the Bavarian State Opera and a visit to nearby Salzburg greatly enriched. The third was the international conference, Oceans Disconnect that he co-organised with Roland Wenzlhuemer and Sujit Sivasundaram (Cambridge/gd:c fellow alumnus), in tandem with the Cambridge University Press series on oceanic history that he co-edits with Sujit.  
Find out more about the workshop David organized during his fellowship together with Sujit Sivasundaram and Roland Wenzlhuemer.

Contact

Click HERE to mail David and HERE for a list of his publications.
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Nathan McDonald

Nathan was a short-term fellow in global history at global dis:connect. Nathan is professor of the interpretation of the Old Testament at the University of Cambridge and a Fellow of St John’s College.   Nathan joined global dis:connect funded by the Munich Centre for Global History.  
 

Project

At global dis:connect, he worked on the transformations that occurred to the Jerusalem priesthood and its rituals as the small kingdom of Judah experienced dramatic changes during the late first millennium.

Contact

Click HERE to mail Nathan and HERE for a list of his publications.
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Mikko Tovianen

Mikko joined global dis:connect funded by the Osk. Huttunen Foundation.
 

Staging a Colonial Capital: The Construction of Public Space in Singapore and Batavia through Spectacle and Ceremony, 1845-1870

The project examines the development of urban culture and ceremonial use of public space in Southeast Asia in the late 19th century, while seeking to address contemporary debates about imperial legacies in postcolonial urban landscapes.
 
Find out more about the workshop Mikko organized during his fellowship together with Bernhard Schär.  

Contact

Click HERE to mail Mikko and HERE for a list of his publications.
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Sujit Sivasundaram

Sujit has taken a circuitous path to his current post as professor of world history and director of the centre of South Asian studies in Cambridge. Bouncing between the Asia-Pacific region and Europe, he has left his mark on imperial history, oceanic history, cultural history, and the history of science. This path has taken him through the LSE, the EHESS in Paris, the Universities of Singapore and Sydney, and the National Maritime Museum in Greenwich.

 

History of Colombo

During his fellowship at global dis:connect, Sujit focused on the long history of Colombo. He is interested in the challenges of building a city such as this, at the centre of the Indian Ocean, in a marshy terrain, and the labour and community formation that met such an environmental challenge. He developed his perspective on connection as an unstable practice, especially when tied to capitalism and empire, because of its potential to segment and divide places and people. He is also interested in the art and visual practice surrounding this city and what it tells us of how globalisation is visualised and propagandised.   Find out more about the workshop Sujit organized during his fellowship together with David Armitage and Roland Wenzlhuemer.
  Please click HERE to watch an Interview with Sujit.
 

Contact

Click HERE to mail Sujit and HERE for a list of his publications.

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Martin Rempe

Martin studies modern German, European and African history, particularly the social history of cultural work as well as the history of colonialism, decolonisation and development. Transnational and global perspectives are at the heart of his research. Martin’s career path has led him through stints in Berlin, Strasbourg, Heidelberg, Vanderbilt University in Nashville, Freiburg, Paris and Konstanz.

 

Musical Life and the Military in the Long 19th Century: A Global History

At global dis:connect, he examined the role and significance of the military in civic musical life during the long 19th century from a global perspective. From the French Revolution to the First World War, military music shaped how music has come to be consumed, produced, appreciated and practised worldwide. Indeed, it has profoundly marked how we continue to valorise culture, and it propagated European music formations in distant geographies. Combining processes of rupture and continuity, displacement and integration, dis:connectivity is a key concept in grasping how military music has helped to (trans)form our world.   Find out more about the workshop Martin organized during his fellowship.  

Contact

Click HERE to mail Martin and HERE for a list of his publications.

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Enis Maci

Enis is one of Europe’s most striking polyartists. She is the author of the essay collection Eiscafé Europa and a series of plays. Most recently, the collaboration Ein faszinierender Plan (Spector 2021) and the play WUNDER (Suhrkamp 2021) were published. In 2022, the play Kamilo Beach, co-written with Pascal Richmann, premiered at the Volksbühne am Rosa-Luxemburg-Platz. This will be followed by the world premiere of LORBEER at Schauspiel Stuttgart. Her work has received several awards, most recently the Max Frisch Förderpreis. In 2022 Enis was a fellow of global dis:connect and also a fellow of the Villa Aurora in Los Angeles.

 

Habitat

While at global dis:connect, Enis worked on Habitat – an exploration of mythologies of information, their global dissemination and the esoteric, yet tangible ways in which contentious narratives touch upon concrete bodies and subjectivities.   Find out more about the workshop Enis organized during her fellowship.  

Contact

Click HERE to mail Enis and HERE for a list of her publications.

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Ayşe Güngör

Ayşe is an art historian with a background in art theory, anthropology and curatorial practices. Her research examines the confluence of art and anthropology in the practices of contemporary artists from Turkey, broadening the frame via narratives of global art and cultural exchange and eco-art practices. She investigates theoretical debates on artistic representation and institutional frameworks.

Istanbul on Display: The Disengagements in the Globalization of Art within the Context of Exhibiting Istanbul in Germany

At global dis:connect, she investigated the global art discourses embedded in institutionalised contemporary art through the representation of Istanbul in Germany through several exhibitions since 2000. By examining this complex relationship of global interconnectedness, her research seeks to identify gaps and limitations in the globalisation processes of contemporary art from Turkey.   Find out more about the workshop Ayşe organized during her fellowship.   Please click HERE to watch an Interview with Ayşe.
 

Contact

Click HERE to mail Ayşe and HERE for a list of her publications.

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lunch time colloquium summer term 25

The lunchtime colloquium (“ltc”) of the gd:c continues in the summer term. The first session will take place on 29 April. The colloquium takes place on Tuesdays from 11.30 am to 1 pm at the library of the Research Centre.   You can download the programme of the lunchtime colloquium HERE. Continue Reading

Sabine Sörgel

Sabine combines her passion for travel and dance with sophisticated, philosophically informed theories derived from critical theory, philosophy, sociology, and theatre. Through sojourns in Mainz, Aberystwyth, London, and Jamaica, Sabine has published on performance, post-colonial politics, global culture, and the social power implicated in various gazes.

In Globalization's Shadow: Cultural Memory, European Identity and Post-Imperial Nationalism

While visiting global dis:connect, Sabine researched how public performances over the last decade have invoked images of race, identity, rights, history and memory.   Find out more about the workshop Sabine organized during her fellowship.   Please click HERE to watch an interview with Sabine.
 

Contact

Click HERE to mail Sabine and HERE for a list of her publications.

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