3-4 April, Dis:connected artistic belonging and recognition in global modernity
The 20th century was characterized by high mobility and circulation of artists. Art history is increasingly paying attention to dis:connectivities of transnational artistic trajectories and their roles in shaping multiple modernities. This workshop interrogates which historiographic narratives artists on the move get inscribed into, juxtaposing these narratives with the artists’ own perceptions of professional belonging and recognition. By artists on the move, we understand (visual) artists who have left their places of origin and ended up elsewhere, intentionally or unintentionally.
We examine whether such a move constitutes a detour in the artists’ life and career, in that it diverts a (personal or professional) trajectory, and how the move and new place of creation affects the artist’s career and inscription into institutional, art historical and hegemonic narratives. We are especially interested in artists who went to places outside well-established centres of modernity. How were they received in these places, what were their own expectations regarding their professional and personal development, and how were these matched? The question of dis:connectivity is pertinent in that it highlights the possibility of being at once connected and disconnected to different narratives of belonging and recognition and potential tensions between subjective perceptions and formal histories.
Dates: 3-4 April
Venue: Käte Hamburger Research Centre global dis:connect, Maria-Theresia-Str. 21, 81675 Munich
Organisers: Claudia Cendales Paredes and Nadia von Maltzahn
The program can be found here.
Please register here by 27 March.